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, three of the "sept peches capitaux" are represented; but after these comes a national subject: a man playing on the bagpipe. The figures throughout the rood-screen are all boldly executed, and the tracery most elegant and delicate. The painted glass in the church is considerable, and represents the Life of Our Saviour, that of St. Fiacre, the Feast of Herod, and the Martyrdom of the Baptist, figures of the Prophets of the Old Testament, with many others. In most of the subjects, the figures are much mutilated. On one window is inscribed, "Pierre Androuet ouvrier demeurant a Kemperle 1552." Over one altar is a sculpture, representing the Martyrdom of Saint Sebastian, between two archers, in the quaint costume of the sixteenth century. About six miles from Le Faouet, is the ruined castle of Poncallec, with its forest, etang, and forge; once the demesne of the young marquis of that name, who was implicated in that conspiracy to transfer the Regency from the Duke of Orleans to Philip V. of Spain, called the plot of Cellamare. Of the hundred and forty-eight gentlemen included in the accusation, all escaped to Spain, except Poncallec and three others. Poncallec refused to accompany them from a superstitious fear, a fortune-teller having foretold he should perish by the sea, "par la mer." They took refuge in a church, but were surprised by a party of cavaliers who had muffled the feet of their horses to reach them unheard. They escaped through a subterranean passage, and, for fifteen days, lay concealed in the hollow of a yew-tree, fed in secret by faithful peasants. Poncallec traversed France in the disguise of a priest, but was arrested at the Pyrenees. He with the three others were all convicted of high treason, and, a few hours after their condemnation, were beheaded at Nantes. Poncallec was the last to suffer. When ascending the scaffold, he asked the executioner his name; on his answering "La Mer," Poncallec felt the witch's prophecy was fulfilled. The estates of the four victims were confiscated, their arms effaced from the fronts of their houses, the moats of their castles filled in, and their trees (hautes futaies) cut down, "a hauteur d'infamie," that is, within nine feet of the ground, in like manner as were those of Moor Park, after the execution of the Duke of Monmouth. A list was presented to the Regent Philip of other offenders, but he tore the paper, and published an amnesty. The story of Poncallec is d
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