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ions of the clergy. The Morocco ambassador purchased of him a copper bracelet of Fatima, which Medina proved by the Arabic inscription and many certificates to be genuine, and found among the ruins of the Alhambra, with other treasures of its last king, who had hid them there in hope of better days. This famous bracelet turned out afterwards to be the work of Medina's own hand, made out of an old brass candlestick! George Psalmanazar, to whose labours we owe much of the great Universal History, exceeded in powers of deception any of the great impostors of learning. His Island of Formosa was an illusion eminently bold,[44] and maintained with as much felicity as erudition; and great must have been that erudition which could form a pretended language and its grammar, and fertile the genius which could invent the history of an unknown people: it is said that the deception was only satisfactorily ascertained by his own penitential confession; he had defied and baffled the most learned.[45] The literary impostor Lauder had much more audacity than ingenuity, and he died contemned by all the world.[46] Ireland's "Shakspeare" served to show that commentators are not blessed, necessarily, with an interior and unerring tact.[47] Genius and learning are ill directed in forming literary impositions, but at least they must be distinguished from the fabrications of ordinary impostors. A singular forgery was practised on Captain Wilford by a learned Hindu, who, to ingratiate himself and his studies with the too zealous and pious European, contrived, among other attempts, to give the history of Noah and his three sons, in his "Purana," under the designation of Satyavrata. Captain Wilford having _read_ the passage, transcribed it for Sir William Jones, who translated it as a curious extract; the whole was an interpolation by the dexterous introduction of a forged sheet, discoloured and prepared for the purpose of deception, and which, having served his purpose for the moment, was afterwards withdrawn. As books in India are not bound, it is not difficult to introduce loose leaves. To confirm his various impositions, this learned forger had the patience to write two voluminous sections, in which he connected all the legends together in the style of the _Puranas_, consisting of 12,000 lines. When Captain Wilford resolved to collate the manuscript with others, the learned Hindu began to disfigure his own manuscript, the captain's, and
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