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ditions, the last of which is that of Walch, 1786. B. H. C. _Oaken Tombs and Effigies_ (Vol. vii., p. 528.).--These are rare. Three of the latter exist at Little Horkesley, Essex. Two are figures of cross-legged knights in chain armour and surcoats: one is a female figure wimpled. They are supposed by Suckling to represent members of the Horkesley family, who held that manor from 1210 to 1322. Another instance is the effigy of a cross-legged knight in chain mail at Danbury in the same county. An account of these will be found in vol. iii. of Weale's _Architectural Papers_. At Ashwell, Rutland, is an effigy in wood of a cross-legged knight, also in chain mail, if I remember rightly. It is not quite evident, from the description in Weale's book, whether there are three effigies at Danbury or only one. Of the same material is the figure of Isabella of Angouleme at Fontevrault. A catalogue of these wooden effigies would be interesting. CHEVERELLS. _Bowyer Bible_ (Vol. vii., _passim_).--Relative to the history and various possessors of this curious Bible, I find the following notice in _The Times_, Oct. 14, 1840: "There is at present, in the possession of Mrs. Parker of Golden Square, a copy of Macklin's Bible in forty-five large volumes, illustrated with nearly 7000 engravings from the age of Michael Angelo to that of Reynolds and West. The work also contains about 200 original drawings or vignettes by Loutherbourg. "The prints and etchings include the works of Raffaelle, Marc Antonio, Albert Durer, Callot, Rembrandt, and other masters, consisting of representations of nearly every fact, circumstance, and object mentioned in the Holy Scriptures. There are, moreover, designs of trees, plants, flowers, quadrupeds, birds, fishes, and insects; such as, besides fossils, have been adduced in proof of the universal Deluge. The most authentic Scripture atlasses are bound up with the volumes. The Bible was the property of the late Mr. Bowyer the publisher, who collected and arranged the engravings, etchings, and drawings at great expense and labour; and he is said to have been engaged for upwards of thirty years in rendering it perfect. It was insured at the Albion Insurance Office for 3000l." In the British Museum are several large works, particularly British topography, illustrated in a similar manner, and which thus contain materials of the ra
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