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e inspires, is often that of the most romantic friendship. The delirium of love, and even its lighter caprices, are incompatible with the pursuits of the student; but to feel friendship like a passion is necessary to the mind of genius alternately elated and depressed, ever prodigal of feeling and excursive in knowledge. The qualities which constitute literary friendship, compared with those of men of the world, must render it a sentiment as rare as love itself, which it resembles in that intellectual tenderness in which both so deeply participate. Born "in the dews of their youth," this friendship will not expire on their tomb. In the school or the college this immortality begins; and, engaged in similar studies, should even one excel the other, he will find in him the protector of his fame; as ADDISON did in STEELE, WEST in GRAY, and GRAY in MASON. Thus PETRARCH was the guide of Boccaccio, thus BOCCACCIO became the defender of his master's genius. Perhaps friendship is never more intense than in an intercourse of minds of ready counsels and inspiring ardours. United in the same pursuits, but directed by an unequal experience, the imperceptible superiority interests, without mortifying. It is a counsel, it is an aid; in whatever form it shows itself, it has nothing of the malice of rivalry. A beautiful picture of such a friendship among men of genius offers itself in the history of MIGNARD, the great French painter, and DU FRESNOY, the great critic of the art itself. DU FRESNOY, abandoned in utter scorn by his stern father, an apothecary, for his entire devotion to his seductive art, lived at Rome in voluntary poverty, till MIGNARD, his old fellow-student, arrived, when they became known by the name of "the inseparables." The talents of the friends were different, but their studios were the same. Their days melted away together in drawing from the ancient statues and the basso-relievos, in studying in the galleries of paintings, or among the villas which embellish the environs of Rome. One roof sheltered them, and one table supplied their sober meal. Light were the slumbers which closed each day, each the pleasing image of the former. But this remarkable friendship was not a simple sentiment which limited the views of "the Inseparables," for with them it was a perpetual source of mutual usefulness. They gave accounts to each other of whatever they observed, and carefully noted their own defects. DU FRESNOY, so crit
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