.
Men of genius who are habitually eloquent, who have practised conversation
as an art, for some, even sacrifice their higher pursuits to this
perishable art of acting, have indeed excelled, and in the most opposite
manner. HORNE TOOKE finely discriminates the wit in conversation of
SHERIDAN and CURRAN, after having passed an evening in their company.
"Sheridan's wit was like steel highly polished and sharpened for display
and use; Curran's was a mine of virgin gold, incessantly crumbling away
from its own richness." CHARLES BUTLER, whose reminiscences of his
illustrious contemporaries are derived from personal intercourse, has
correctly described the familiar conversations of PITT, FOX, and BURKE:
"The most intimate friends of Mr. Fox complained of his too frequent
ruminating silence. Mr. Pitt talked, and his talk was fascinating. Mr.
Burke's conversation was rambling, but splendid and instructive beyond
comparison." Let me add, that the finest genius of our times, is also the
most delightful man; he is that rarest among the rare of human beings,
whom to have known is nearly to adore; whom to have seen, to have heard,
forms an era in our life; whom youth remembers with enthusiasm, and whose
presence the men and women of "the world" feel like a dream from which
they would not awaken. His _bonhomie_ attaches our hearts to him by its
simplicity; his legendary conversation makes us, for a moment, poets like
himself.[A]
[Footnote A: This was written under the inspiration of a night's
conversation, or rather listening to Sir WALTER SCOTT.--I cannot bring
myself to erase what now, alas! has closed in the silence of a swift
termination of his glorious existence.]
But that deficient agreeableness in social life with which men of genius
have been often reproached, may really result from the nature of those
qualities which conduce to the greatness of their public character. A
thinker whose mind is saturated with knowledge on a particular subject,
will be apt to deliver himself authoritatively; but he will then pass for
a dogmatist: should he hesitate, that he may correct an equivocal
expression, or bring nearer a remote idea, he is in danger of sinking
into pedantry or rising into genius. Even the fulness of knowledge
has its tediousness. "It is rare," said MALEBRANCHE, "that those who
meditate profoundly can explain well the objects they have meditated on;
for they hesitate when they have to speak; they are scrupulous to co
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