FREE BOOKS

Author's List




PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156  
157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   >>   >|  
in its origin; the last being natural, the first acquired." What we are accustomed to do, gives a facility and proneness to do on like occasions; and there may be even an art, unperceived by themselves, in opening and pursuing a scene of pure invention, and even in the happiest turns of wit. One who had all the experience of such an artist has employed the very terms we have used, of "mechanical" and "habitual." "Be assured," says Goldsmith, "that wit is in some measure mechanical; and that a man long habituated to catch at even its resemblance, will at last be happy enough to possess the substance. By a long habit of writing he acquires a justness of thinking, and a mastery of manner which holiday writers, even with ten times his genius, may vainly attempt to equal." The wit of BUTLER was not extemporaneous, but painfully elaborated from notes which he incessantly accumulated; and the familiar _rime_ of BERNT, the burlesque poet, his existing manuscripts will prove, were produced by perpetual re-touches. Even in the sublime efforts of imagination, this art of meditation may be practised; and ALFIERI has shown us, that in those energetic tragic dramas which were often produced in a state of enthusiasm, he pursued a regulated process. "All my tragedies have been composed three times;" and he describes the three stages of conception, development, and versifying. "After these three operations, I proceed, like other authors, to publish, correct, or amend." "All is habit in mankind, even virtue itself!" exclaimed METASTASIO; and we may add, even the meditations of genius. Some of its boldest conceptions, are indeed fortuitous, starting up and vanishing almost in the perception; like that giant form, sometimes seen amidst the glaciers, afar from the opposite traveller, moving as he moves, stopping as he stops, yet, in a moment lost, and perhaps never more seen, although but his own reflection! Often in the still obscurity of the night, the ideas, the studies, the whole history of the day, is acted over again. There are probably few mathematicians who have not dreamed of an interesting problem, observes Professor Dugald Stewart. In these vivid scenes we are often so completely converted into spectators, that a great poetical contemporary of our country thinks that even his dreams should not pass away unnoticed, and keeps what he calls a register of nocturnals. TASSO has recorded some of his poetical dreams, which were often dis
PREV.   NEXT  
|<   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156  
157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   >>   >|  



Top keywords:

genius

 
mechanical
 

produced

 

poetical

 
dreams
 

perception

 

stopping

 
moving
 

opposite

 

glaciers


amidst

 

traveller

 

moment

 

authors

 

publish

 
correct
 

proceed

 

development

 

conception

 

versifying


operations
 

mankind

 

virtue

 
fortuitous
 

starting

 

vanishing

 

conceptions

 

boldest

 

exclaimed

 

METASTASIO


meditations

 

spectators

 

contemporary

 

converted

 

completely

 
Stewart
 
scenes
 

country

 
thinks
 

nocturnals


register

 

recorded

 
unnoticed
 
Dugald
 
Professor
 

obscurity

 
studies
 
reflection
 
stages
 

history