has burst forth
from its cocoon. No longer a little girl, but a woman. Those saucy eyes
of old now look at you with an expression which disturbs your heart. One
might have offered, six months before, two sous' worth of chestnuts to
the child; now, however, nothing less than a coupe will satisfy the
woman. It used to jump on your knee at that time, now every one is
throwing his arms around its pretty neck. Thus from generation to
generation, one assists at the mobilization of a whole army of recruits,
who first try their weapons here, pass from here into the regiment of
veterans, build themselves a hospital in cut-stone out of their savings,
and some of them mount very high through the tips of their toes if they
are not suddenly attacked by _the malady of the knee_."
"Malady of the knee?" inquired Vaudrey.
"A phrase not to be found in the _Dictionary of Political Economy_ by
Maurice Block. It is a way of saying that ill-luck has overtaken one. A
very interesting condition, this malady of the knee! It often not only
shortens the leg but the career!"
"Is this malady a frequent one at the Opera?"
"Ah! your Excellency, how can it be helped? There are so many slips in
this pirouetting business! It is as risky as politics!"
Fat Molina shouted with laughter at this clumsy jest, and placing a
binocle upon his huge nose, which was cleft down the middle like that of
a hunting-hound, he exclaimed suddenly, turning towards the door as he
spoke:
"Eh! Marie Launay? What is she holding in her hand?"
Light, nimble and graceful in her costume of a Hindoo dancing girl, a
young girl of sixteen or seventeen summers, already betraying her
womanhood in the ardent glances half-hidden in the depths of her large,
deep-blue eyes, tripped into the greenroom, humming an air and holding
in her hand a long sheet of paper.
She shook, as if embarrassed by it, the broad necklace of large
imitation pearls that danced on her fine neck and fell on her
undeveloped bosom; and looking in search of some one among the crowd of
girls, cried out from a distance to a plump little brunette who was
talking and laughing within a circle of dress-coats at the other end of
the room:
"Eh! Anna, you have not subscribed yet!"
The brunette, freeing herself unceremoniously enough from her living
madrigals, came running lightly up to Marie Launay, who held out towards
her an aluminum pencil-case and the sheet of paper.
"What the devil is that?" asked
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