pinch he found them, taking pleasure in
parading in his coupe, around the lake or at the races, some recruit in
vice, and in watching the crowd that at once eagerly surrounded her,
simply because she had been the mistress of the fat Molina. He had in
his youth at Marseilles, in the Jewish quarter of the town, sold old
clothes to the Piedmontese and sailors in port. Now it was his delight
to behold the Parisians of the Boulevard or the clubs buy as sentimental
rags the cast-off garments of his passion.
"You in the greenroom of the ballet, your Excellency?" continued the
financier. "Ah! upon my word, I shall tell Madame Vaudrey."
Sulpice smiled, the mere name of his wife sounded strange to his ears in
a place like this. It seemed to him that in speaking of her, she was
being dragged into a strange circle, and one which did not belong to
her. He had felt the same only a few days before upon his entrance into
the cabinet, on seeing a report of his marriage, his dwelling minutely
described, and a pen portrait of that Adrienne, who was the passion of
his life.
"After all," continued Molina, "Madame Vaudrey must get used to it. The
Opera! Why, it is a part of politics! The key of many a situation is to
be found in the greenroom!"
The financier laughed merrily, a laugh that had the ring of the
Turcarets' jingling crowns.
He went on to explain to his Excellency all the little mysteries of the
greenroom, as a man quite at home in this little Parisian province, and
lightly, by a word, a gesture even, he gave the minister a rapid
biography of the young girls who were laughing, jesting, romping there
before them; flitting hither and thither lightly across the boards,
barely touching them with the tips of their pink satin-shod feet.
Sulpice was surprised at everything he saw. He did not even take the
pains to conceal his surprise. Evidently it was his first visit behind
the scenes.
"Ah! your Excellency," said Molina, delighted with his role of
cicerone, "it is necessary to be at home here! You should come here
often! Nothing in the world can be more amusing. Here behind the scenes
is a world by itself. One can see pretty little lasses springing up like
asparagus. One sees running hither and thither a tall, thin child who
nods to you saucily and crunches nuts like a squirrel. One takes a three
months' journey, and passes a season at Vichy or at Dieppe, and when one
returns, presto! see the transformation. The butterfly
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