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It means that you have entirely grasped the ideas of the leader who has given the order and that you take every possible means of satisfying him. Discipline does not mean silence, abstention, only doing what appears to you possible without compromising yourself; it is not the practice of the art of avoiding responsibilities. On the contrary, it is action in the sense of orders received." Fifteen years ago at the Ecole de Guerre General Foch was fond of quoting Joseph de Maistre's remark, "A battle lost is a battle which one believes to have lost, for battles are not lost materially," and of adding, "Battles are therefore lost morally, and it is therefore morally that they are won." The aphorism can be extended by this one: "A battle won is a battle in which one will not admit one's self vanquished." As "Miles" remarks, "He did as he had said." Ernest Dimnet in The London Saturday Review has this to say in part about Foch and his two widely known books: During his two terms of service at the Ecole de Guerre he produced two considerable works, "Principes de la Guerre" and "De la Conduite de La Guerre," which give a high idea of their author's character and talent. There is nothing in them that ought to scare away the average reader. Their style has the geometrical lucidity which is the polytechnician's birthright, but in spite of the deliberate impersonality generally attached to that style of writing, there emanates from it a curious quality which gradually shows us the author as a living person. We have the impression of a vast mental capacity turned to the lifelong study of a fascinating subject and acquiring in it the dignity of attitude and the naturalness which mastery inevitably produces. War has been the constant meditation of this powerful brain. In "La Conduite de la Guerre" this meditation is the minute historical examination of the battles of the First Empire and 1870. "Nothing can replace the experience of war," writes the author, "except the history of war," and it is clear that he understands the word "history" as all those who go to the past for a lesson in greatness understand it. "Les Principes de la Guerre" is more immediately technical, yet it strikes one as being less a speculation than a visualizing o
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