ets and theatrical
displays with which the old Goldoni entertained his guests in his
Venetian palace and country-house. Venice at that date was certainly
the proper birthplace for a comic poet. The splendour of the
Renaissance had thoroughly habituated her nobles to pleasures of the
sense, and had enervated their proud, maritime character, while the
great name of the republic robbed them of the caution for which they
used to be conspicuous. Yet the real strength of Venice was almost
spent, and nothing remained but outward insolence and prestige.
Everything was gay about Goldoni in his earliest childhood.
Puppet-shows were built to amuse him by his grandfather. 'My
mother,' he says, 'took charge of my education, and my father of my
amusements.' Let us turn to the opening scene in Alfieri's life,
and mark the difference. A father above sixty, 'noble, wealthy, and
respectable,' who died before his son had reached the age of one year
old. A mother devoted to religion, the widow of one marquis, and after
the death of a second husband, Alfieri's father, married for the third
time to a nobleman of ancient birth. These were Alfieri's parents. He
was born in a solemn palazzo in the country town of Asti, and at the
age of five already longed for death as an escape from disease and
other earthly troubles. So noble and so wealthy was the youthful poet
that an abbe was engaged to carry out his education, but not to teach
him more than a count should know. Except this worthy man he had no
companions whatever. Strange ideas possessed the boy. He ruminated on
his melancholy, and when eight years old attempted suicide. At this
age he was sent to the academy at Turin, attended, as befitted a lad
of his rank, by a man-servant, who was to remain and wait on him at
school. Alfieri stayed here several years without revisiting his home,
tyrannised over by the valet who added to his grandeur, constantly
subject to sickness, and kept in almost total ignorance by his
incompetent preceptors. The gloom and pride and stoicism of his
temperament were augmented by this unnatural discipline. His spirit
did not break, but took a haughtier and more disdainful tone. He
became familiar with misfortunes. He learned to brood over and
intensify his passions. Every circumstance of his life seemed strung
up to a tragic pitch. This at least is the impression which remains
upon our mind after reading in his memoirs the narrative of what must
in many of its detai