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r it more apt to entertain embryonic fancies than to bring ideas to definite perfection. If hours of thoughtfulness and seclusion are necessary to the development of a true love for the Alps, it is no less essential to a right understanding of their beauty that we should pass some wet and gloomy days among the mountains. The unclouded sunsets and sunrises which often follow one another in September in the Alps, have something terrible. They produce a satiety of splendour, and oppress the mind with a sense of perpetuity. I remember spending such a season in one of the Oberland valleys, high up above the pine-trees, in a little chalet. Morning after morning I awoke to see the sunbeams glittering on the Eiger and the Jungfrau; noon after noon the snow-fields blazed beneath a steady fire; evening after evening they shone like beacons in the red light of the setting sun. Then peak by peak they lost the glow; the soul passed from them, and they stood pale yet weirdly garish against the darkened sky. The stars came out, the moon shone, but not a cloud sailed over the untroubled heavens. Thus day after day for several weeks there was no change, till I was seized with an overpowering horror of unbroken calm. I left the valley for a time; and when I returned to it in wind and rain, I found that the partial veiling of the mountain heights restored the charm which I had lost and made me feel once more at home. The landscape takes a graver tone beneath the mist that hides the higher peaks, and comes drifting, creeping, feeling, through the pines upon their slopes--white, silent, blinding vapour-wreaths around the sable spires. Sometimes the cloud descends and blots out everything. Again it lifts a little, showing cottages and distant Alps beneath its skirts. Then it sweeps over the whole valley like a veil, just broken here and there above a lonely chalet or a thread of distant dangling torrent foam. Sounds, too, beneath the mist are more strange. The torrent seems to have a hoarser voice and grinds the stones more passionately against its boulders. The cry of shepherds through the fog suggests the loneliness and danger of the hills. The bleating of penned sheep or goats, and the tinkling of the cowbells, are mysteriously distant and yet distinct in the dull dead air. Then, again, how immeasurably high above our heads appear the domes and peaks of snow revealed through chasms in the drifting cloud; how desolate the glaciers and th
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