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a moment as if uncertain what to say, then he added: "You're younger than I thought you were, Miss Green, much younger." "Time will remedy that," smiled Shirley. Then, mischievously, she added: "I rather expected to see Mrs. Ryder." There was the faintest suspicion of a smile playing around the corners of the plutocrat's mouth as he picked up a book lying on his desk and replied: "Yes--she wrote you, but I--wanted to see you about this." Shirley's pulse throbbed faster, but she tried hard to appear unconcerned as she answered: "Oh, my book--have you read it?" "I have," replied Ryder slowly and, fixing her with a stare that was beginning to make her uncomfortable, he went on: "No doubt your time is valuable, so I'll come right to the point. I want to ask you, Miss Green, where you got the character of your central figure--the Octopus, as you call him--John Broderick?" "From imagination--of course," answered Shirley. Ryder opened the book, and Shirley noticed that there were several passages marked. He turned the leaves over in silence for a minute or two and then he said: "You've sketched a pretty big man here--" "Yes," assented Shirley, "he has big possibilities, but I think he makes very small use of them." Ryder appeared not to notice her commentary, and, still reading the book, he continued: "On page 22 you call him '_the world's greatest individualized potentiality, a giant combination of materiality, mentality and money--the greatest exemplar of individual human will in existence to-day._' And you make indomitable will and energy the keystone of his marvellous success. Am I right?" He looked at her questioningly. "Quite right," answered Shirley. Ryder proceeded: "On page 26 you say '_the machinery of his money-making mind typifies the laws of perpetual unrest. It must go on, relentlessly, resistlessly, ruthlessly making money--making money and continuing to make money. It cannot stop until the machinery crumbles._'" Laying the book down and turning sharply on Shirley, he asked her bluntly: "Do you mean to say that I couldn't stop to-morrow if I wanted to?" She affected to not understand him. "_You?_" she inquired in a tone of surprise. "Well--it's a natural question," stammered Ryder, with a nervous little laugh; "every man sees himself in the hero of a novel just as every woman sees herself in the heroine. We're all heroes and heroines in our own eyes. But tell me
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