f the schools for arts and crafts,
Vienna (Director Felizian Freiherr von Myrbach) and Prague (Director
Georg Stibral), as well as all the objects exhibited in these divisions,
were designed at the above institutions and executed by the pupils. The
organization of the "collective exhibition" of the other professional
art schools was intrusted to the inspector of these schools and Hofrat
Arthur von Scala, director of the Austrian Museum, Vienna. The interior
and the exhibits themselves were executed in the workshops of 46
different professional art schools, with the cooperation of the pupils.
The amount of money appropriated by the Austrian Government for the
participation of the Austrian Empire at the exposition was 1,100,000
crowns (about $220,000). The appropriation, however, was almost
exclusively made for the display of Austria in connection with the
Austrian Government Pavilion. The appropriated amount had to cover the
expense for the erection of the pavilion and its installation, as well
as the installation of two rooms in the Fine Arts Building, where the
Vienna Artists' Association had an additional display. The appropriated
amount had also to cover the transportation of the Austrian Government
exhibits as well as the expense of the reshipment of same. The
Government provided the 1,100,000 crowns not only for the erection of
the pavilion and its sculptural works, but for the expenses of
installation, transportation, etc. Part of this money was used by the
various Government participants, viz:
(1) The imperial royal railroad ministry.
(2) The imperial royal department of waterways of Austria.
(3) The imperial royal ministry of education.
(4) And finally by four fine art associations. These fine art
associations were: (1) the Vienna Artists' Association, (2) the
"Hagenbund" Artists' Association of Vienna, (3) the Bohemian artists,
and (4) the Polish Artists.
The fine art associations had their display each in one room of the
thirteen contained in the Austrian Government Pavilion. The Vienna
Artists' Association had also two rooms covering the Austrian section in
the Fine Arts Building.
In reference to the commercial exhibit, a number of prominent
individuals of Austria organized an exhibition of the manufacturers of
Austria. They secured a number of participants, mostly glass and
porcelain manufacturers as well as leather and jewelry merchants of
Austria. Their exhibits representing Austria were dis
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