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to tell the truth, if it would succeed. Stevenson is splendidly real, he loves to visualize fact, to be true both to the appearances of things and the thoughts of the mind. He is aware that life is more than food--that it is a subjective state quite as much as an objective reality. He refers to himself more than once, half humorously, as a fellow whose forte lay in transcribing what was before him, to be seen and felt, tasted and heard. This extremely modern denotement was a marked feature of his genius, often overlooked. He had a desire to know all manner of men; he had the noble curiosity of Montaigne; this it was, along with his human sympathy, that led him to rough it in emigrant voyages and railroad trips across the plains. It was this characteristic, unless I err, the lack of which in "Prince Otto" gives it a certain rococo air: he was consciously fooling in it, and felt the need of a solidly mundane footing. Truth to human nature in general, and that lesser truth which means accurate photography--his books give us both; the modern novelist, even a romancer like Stevenson, is not permitted to slight a landscape, an idiom nor a point of psychology: this one is never untrue to the trust. There is in the very nature of his language a proof of his strong hunger for the actual, the verifiable. No man of his generation has quite such a grip on the vernacular: his speech rejoices to disport itself in root flavors; the only younger writer who equals him in this relish for reality of expression is Kipling. Further back it reminds of Defoe or Swift, at their best, Stevenson cannot abide the stock phrases with which most of us make shift to express our thoughts instead of using first-hand effects. There is, with all its music and suavity, something of the masculinity of the Old English in the following brief descriptive passage from "Ebb-Tide": There was little or no morning bank. A brightening came in the East; then a wash of some ineffable, faint, nameless hue between crimson and silver; and then coals of fire. These glimmered awhile on the sea line, and seemed to brighten and darken and spread out; and still the night and the stars reigned undisturbed. It was as though a spark should catch and glow and creep along the foot of some heavy and almost incombustible wall-hanging, and the room itself be scarce menaced. Yet a little after, and the whole East glowed with gold
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