time to regenerate. The process is thus a
perpetual one and the tree lasts indefinitely.
The exact method of tapping varies, but usually it is begun as two
slanting grooves that converge to form a V. The latex oozes from the
freshly cut bark, runs down the converging grooves to their point of
union, and is caught in a small glass cup or other vessel suspended
under a tiny spout at the apex of the V. The method of tapping shown in
the photograph is different from this somewhat, though the principle is
the same. The latex that oozes from the grooves is a pure white, sticky
fluid resembling milk; about a tablespoonful is obtained each day from
each tree.
By the time each man has tapped or gouged all of the trees assigned to
him (perhaps two or three hundred) the first-tapped trees have bled all
they will for that day, so that collecting is begun at once. In each cup
is a little water to prevent the latex from coagulating and sticking to
the bottom.
[Illustration: HOME OF THE MANAGER OF THE BUKIT TIMAR RUBBER ESTATE
NEAR SINGAPORE.]
The first V is cut several feet from the ground, and the amount that is
gouged from each side of the V each day is so very thin that it will be
months before the apex of the V reaches the ground, by which time the
regeneration of the first cuts will be well under way.
After the flow of latex has ceased for the day a narrow strip hardens
along each groove, like gum on a cherry tree. These little strips of
rubber, with bits of adherent bark, as well as any drops that may have
fallen to the ground, are collected in bags and carried to the factory
to be made into sheets of cheap grades of commercial rubber.
[Illustration: A YOUNG RUBBER TREE SHOWING ONE METHOD OF TAPPING.
The white lines are the latex running down the grooves into the
glass cup at the bottom. Above the two slanting lines is seen
the scarred tissue where the bark has been gouged away. When the
lower end of the lower line reaches the ground the tree will be
tapped on the opposite side. The amount of latex in the cup
seems greater than it really is because of the water upon which
it floats. The size of the tree may be judged from the kodak
case at its foot.]
After the trees have been tapped the latex is collected in carefully
cleaned tin buckets, brought to the factory and strained into huge
earthenware tubs. It is then put into enamelware pans about twelve by
thirty-six inches in size
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