instance,--
young persons of the female sex, we will say, who have bustled in full-
dressed, engaged in loud strident speech, and who, after free discussion,
have fixed on two or more double seats, which having secured, they proceed
to eat apples and hand round daguerreotypes,--I say, I think the
conversational soprano, heard under these circumstances, would not be
among the allurements the old Enemy would put in requisition, were he
getting up a new temptation of St. Anthony.

There are sweet voices among us, we all know, and voices not musical, it
may be, to those who hear them for the first time, yet sweeter to us than
any we shall hear until we listen to some warbling angel in the overture
to that eternity of blissful harmonies we hope to enjoy.--But why should I
tell lies? If my friends love me, it is because I try to tell the truth. I
never heard but two voices in my life that frightened me by their
sweetness.

----Frightened you?--said the school-mistress.--Yes, frightened me. They
made me feel as if there might be constituted a creature with such a chord
in her voice to some string in another's soul, that, if she but spoke, he
would leave all and follow her, though it were into the jaws of Erebus.
Our only chance to keep our wits is, that there are so few natural chords
between others' voices and this string in our souls, and that those which
at first may have jarred a little by and by come into harmony with it.--
But I tell you this is no fiction. You may call the story of Ulysses and
the Sirens a fable, but what will you say to Mario and the poor lady who
followed him?

----Whose were those two voices that bewitched me so?--They both belonged
to German women. One was a chambermaid, not otherwise fascinating. The key
of my room at a certain great hotel was missing, and this Teutonic maiden
was summoned to give information respecting it. The simple soul was
evidently not long from her mother-land, and spoke with sweet uncertainty
of dialect. But to hear her wonder and lament and suggest, with soft,
liquid inflexions, and low, sad murmurs, in tones as full of serious
tenderness for the fate of the lost key as if it had been a child
that had strayed from its mother, was so winning, that, had her features
and figure been as delicious as her accents,--if she had looked like the
marble Clytie, for instance,--why, all I can say is----

[The schoolmistress opened her eyes so wide, that I stopped short.]

I was on