FREE BOOKS

Author's List




PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  
The Project Gutenberg eBook, The Atlantic Monthly, Volume 2, Number 9, July, 1858, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Atlantic Monthly, Volume 2, Number 9, July, 1858 Author: Various Release Date: November 14, 2003 [eBook #10079] [Date last updated: June 8, 2005] Language: English Chatacter set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE ATLANTIC MONTHLY, VOLUME 2, NUMBER 9, JULY, 1858*** E-text prepared by Anne Soulard, Cornell University, Joshua Hutchinson, and the Project Gutenberg Online Distributed Proofreading Team THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. II.--JULY, 1858.--NO. IX. THE CATACOMBS OF ROME. [Concluded.] --fessoque Sacrandum Supponato capiti lapidem, Curistoque quiescam. PAULINUS OF NOLL Et factus est in pace locus ejus et halitatio in Sion. Ps. LXXV. 2 V. Rome is preeminently the city of monuments and inscriptions, and the lapidary style is the one most familiar to her. The Republic, the Empire, the Papacy, the Heathens, and the Christians have written their record upon marble. But gravestones are proverbially dull reading, and inscriptions are often as cold as the stone upon which they are engraved. The long gallery of the Vatican, through which one passes to enter the famous library, and which leads to the collection of statues, is lined on one side with heathen inscriptions, of miscellaneous character, on the other with Christian inscriptions, derived chiefly from the catacombs, but arranged with little order. The comparison thus exhibited to the eye is an impressive one. The contrast of one class with the other is visible even in external characteristics. The old Roman lines are cut with precision and evenness; the letters are well formed, the words are rightly spelt, the construction of the sentences is grammatical. But the Christian inscriptions bear for the most part the marks of ignorance, poverty, and want of skill. Their lines are uneven, the letters of various sizes, the words ill-spelt, the syntax often incorrect. Not seldom a mixture of Greek and Latin in the same sentence betrays the corrupt speech of the lower classes, and the Latin its
PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  



Top keywords:

inscriptions

 

Project

 
Gutenberg
 

Monthly

 
Christian
 

Atlantic

 

MONTHLY

 

letters

 

Volume

 

ATLANTIC


Number

 

Various

 

arranged

 

statues

 

collection

 

character

 

chiefly

 

catacombs

 

derived

 

heathen


miscellaneous

 

gravestones

 

proverbially

 

reading

 
marble
 
record
 

written

 

Heathens

 

passes

 

famous


Vatican

 

gallery

 

engraved

 

Christians

 
library
 
syntax
 

incorrect

 

uneven

 

ignorance

 
poverty

seldom
 

speech

 
corrupt
 
classes
 
betrays
 
sentence
 

mixture

 

contrast

 

visible

 
external