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ernacle, with its marvelous acoustic properties, and the temple, which is not yet finished. The immense pipe organ in the tabernacle was built where it now stands, and entirely by mormons. From Brigham Young's old home a grand boulevard runs, through the city, across the valley, and over the hill far away, and how much beyond I do not know. This road, so broad and white, Brigham Young said would lead to Jerusalem. They have a river Jordan here, too, a little stream that runs just outside the city. There are grand trees in every street, and every old yard, and one cannot help feeling great indignation to see where in some places the incoming gentiles have cut trees down to make space for modern showy buildings, that are so wholly out of harmony with the low, artistic white houses and vine-covered walls. It is such a pity that these high, red buildings could not have been kept outside, and the old mormon city left in its original quaint beauty. We will return to Omaha soon now, and I shall at once become busy with preparations for the winter East. I have decided to go home in October, so I can have a long, comfortable visit before going to Washington. Faye wishes me to join him there the last of December. I am not very enthusiastic over the prospect of crowded rooms, daily receptions and "teas," and other affairs of more formality. But since I cannot return to the plains, I might as well go to the city, where we will meet people of culture, see the fascinating Diplomatic Corps, and be presented to the President's beautiful young wife. Later on there will be the inauguration--for we expect to pass the winter in Washington. THE END End of the Project Gutenberg EBook of Army Letters from an Officer's Wife, 1871-1888, by Frances M.A. Roe *** END OF THIS PROJECT GUTENBERG EBOOK LETTERS FROM AN OFFICER'S WIFE *** ***** This file should be named 6823.txt or 6823.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/8/2/6823/ Produced by Dianne Bean Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of
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