ears open, few words."

"Sancho is right," said the duke; "we'll see what the countess is like,
and by that measure the courtesy that is due to her."

And now the drums and fife made their entrance as before; and here the
author brought this short chapter to an end and began the next, following
up the same adventure, which is one of the most notable in the history.

CHAPTER XXXVIII.

WHEREIN IS TOLD THE DISTRESSED DUENNA'S TALE OF HER MISFORTUNES

Following the melancholy musicians there filed into the garden as many as
twelve duennas, in two lines, all dressed in ample mourning robes
apparently of milled serge, with hoods of fine white gauze so long that
they allowed only the border of the robe to be seen. Behind them came the
Countess Trifaldi, the squire Trifaldin of the White Beard leading her by
the hand, clad in the finest unnapped black baize, such that, had it a
nap, every tuft would have shown as big as a Martos chickpea; the tail,
or skirt, or whatever it might be called, ended in three points which
were borne up by the hands of three pages, likewise dressed in mourning,
forming an elegant geometrical figure with the three acute angles made by
the three points, from which all who saw the peaked skirt concluded that
it must be because of it the countess was called Trifaldi, as though it
were Countess of the Three Skirts; and Benengeli says it was so, and that
by her right name she was called the Countess Lobuna, because wolves bred
in great numbers in her country; and if, instead of wolves, they had been
foxes, she would have been called the Countess Zorruna, as it was the
custom in those parts for lords to take distinctive titles from the thing
or things most abundant in their dominions; this countess, however, in
honour of the new fashion of her skirt, dropped Lobuna and took up
Trifaldi.

The twelve duennas and the lady came on at procession pace, their faces
being covered with black veils, not transparent ones like Trifaldin's,
but so close that they allowed nothing to be seen through them. As soon
as the band of duennas was fully in sight, the duke, the duchess, and Don
Quixote stood up, as well as all who were watching the slow-moving
procession. The twelve duennas halted and formed a lane, along which the
Distressed One advanced, Trifaldin still holding her hand. On seeing this
the duke, the duchess, and Don Quixote went some twelve paces forward to
meet her. She then, kneeling on the ground