man with broad leathery clean-shaven face and small mouth,
occupied by the butt end of a cigar, has come on to the stage
from Stage Left, and stands waiting to be noticed.]
PROPS. [Attracted by the scent of the cigar] The Boss, Sir.
VANE. [Turning to "PROPS"] That'll do, then.
["PROPS" goes out through the French windows.]
VANE. [To FRUST] Now, sir, we're all ready for rehearsal of
"Orpheus with his Lute."
FRUST. [In a cosmopolitan voice] "Orphoos with his loot!" That his
loot, Mr Vane? Why didn't he pinch something more precious? Has
this high-brow curtain-raiser of yours got any "pep" in it?
VANE. It has charm.
FRUST. I'd thought of "Pop goes the Weasel" with little Miggs. We
kind of want a cock-tail before "Louisa loses," Mr Vane.
VANE. Well, sir, you'll see.
FRUST. This your lighting? It's a bit on the spiritool side. I've
left my glass. Guess I'll sit in the front row. Ha'f a minute. Who
plays this Orphoos?
VANE. George Fleetway.
FRUST. Has he got punch?
VANE. It's a very small part.
FRUST. Who are the others?
VANE. Guy Toone plays the Professor; Vanessa Hellgrove his wife;
Maude Hopkins the faun.
FRUST. H'm! Names don't draw.
VANE. They're not expensive, any of them. Miss Hellgrove's a find,
I think.
FRUST. Pretty?
VANE. Quite.
FRUST. Arty?
VANE. [Doubtfully] No. [With resolution] Look here, Mr FRUST,
it's no use your expecting another "Pop goes the Weasel."
FRUST. We-ell, if it's got punch and go, that'll be enough for me.
Let's get to it!
[He extinguishes his cigar and descends the steps and sits in
the centre of the front row of the stalls.]
VANE. Mr Foreson?
FORESON. [Appearing through curtain, Right] Sir?
VANE. Beginners. Take your curtain down.
[He descends the steps and seats himself next to FRUST. The
curtain goes down.]
[A woman's voice is heard singing very beautifully Sullivan's
song: "Orpheus with his lute, with his lute made trees and the
mountain tops that freeze'." etc.]
FRUST. Some voice!
The curtain rises. In the armchair the PROFESSOR is yawning,
tall, thin, abstracted, and slightly grizzled in the hair. He
has a pad of paper over his knee, ink on the stool to his right
and the Encyclopedia volume on the stand to his left-barricaded
in fact by the article he is writing. He is reading a page over
to him
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