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t; he has only put in Mr. Pincher's name in the place of Mr. Macabaw's." "He is ours now," responded his uncle, "and I told you WE WOULD HAVE HIM FOR NOTHING. I told you, too, that you should be married from Sir George Gorgon's, and here is proof of it." It was a letter from Lady Gorgon, in which she said that, "had she known Mr. Perkins to be a nephew of her friend Mr. Crampton, she never for a moment would have opposed his marriage with her niece, and she had written that morning to her dear Lucy, begging that the marriage breakfast should take place in Baker Street." "It shall be in Mecklenburgh Square," said John Perkins stoutly; and in Mecklenburgh Square it was. William Pitt Scully, Esquire, was, as Mr. Crampton said, hugely annoyed at the loss of the place for his nephew. He had still, however, his hopes to look forward to, but these were unluckily dashed by the coming in of the Whigs. As for Sir George Gorgon, when he came to ask about his peerage, Hawksby told him that they could not afford to lose him in the Commons, for a Liberal Member would infallibly fill his place. And now that the Tories are out and the Whigs are in, strange to say a Liberal does fill his place. This Liberal is no other than Sir George Gorgon himself, who is still longing to be a lord, and his lady is still devout and intriguing. So that the Members for Oldborough have changed sides, and taunt each other with apostasy, and hate each other cordially. Mr. Crampton still chuckles over the manner in which he tricked them both, and talks of those five minutes during which he stood on the landing-place, and hatched and executed his "Bedford-Row Conspiracy." End of the Project Gutenberg EBook of The Bedford-Row Conspiracy, by William Makepeace Thackeray *** END OF THIS PROJECT GUTENBERG EBOOK THE BEDFORD-ROW CONSPIRACY *** ***** This file should be named 1990.txt or 1990.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/9/1990/ Produced by Les Bowler Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this li
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