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Project Gutenberg's Damaged Goods, by Upton Sinclair and Eugene Brieux This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Damaged Goods A novelization of the play "Les Avaries" Author: Upton Sinclair Eugene Brieux Posting Date: August 16, 2008 [EBook #1157] Release Date: January, 1998 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DAMAGED GOODS *** Produced by John P. Roberts, III DAMAGED GOODS The Great Play "Les Avaries" of Eugene Brieux Novelized with the approval of the author by Upton Sinclair THE PRODUCTION OF EUGENE BRIEUX'S PLAY, "LES AVARIES," OR, TO GIVE IT ITS ENGLISH TITLE, "DAMAGED GOODS," HAS INITIATED A MOVEMENT IN THIS COUNTRY WHICH MUST BE REGARDED AS EPOCH-MAKING.--New York Times +++Page 4 is a virtually unreadable letter in handwritten script from M. Brieux.+++ PREFACE My endeavor has been to tell a simple story, preserving as closely as possible the spirit and feeling of the original. I have tried, as it were, to take the play to pieces, and build a novel out of the same material. I have not felt at liberty to embellish M. Brieux's ideas, and I have used his dialogue word for word wherever possible. Unless I have mis-read the author, his sole purpose in writing LES AVARIES was to place a number of most important facts before the minds of the public, and to drive them home by means of intense emotion. If I have been able to assist him, this bit of literary carpentering will be worth while. I have to thank M. Brieux for his kind permission to make the attempt, and for the cordial spirit which he has manifested. Upton Sinclair PRESS COMMENTS ON THE PLAY DAMAGED GOODS was first presented in America at a Friday matinee on March 14th, 1913, in the Fulton Theater, New York, before members of the Sociological Fund. Immediately it was acclaimed by public press and pulpit as the greatest contribution ever made by the Stage to the cause of humanity. Mr. Richard Bennett, the producer, who had the courage to present the play, with the aid of his co-workers, in the face of most savage criticism from the ignorant, was overwhelmed with requests for a repetition of the performan
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