d reason to
believe, were in a shop hard by. She reached the house without any
impediment, looked at the number, knocked at the door, and inquired for
Miss Tilney. The man believed Miss Tilney to be at home, but was not
quite certain. Would she be pleased to send up her name? She gave her
card. In a few minutes the servant returned, and with a look which did
not quite confirm his words, said he had been mistaken, for that Miss
Tilney was walked out. Catherine, with a blush of mortification, left
the house. She felt almost persuaded that Miss Tilney was at home, and
too much offended to admit her; and as she retired down the street,
could not withhold one glance at the drawing-room windows, in
expectation of seeing her there, but no one appeared at them. At the
bottom of the street, however, she looked back again, and then, not at a
window, but issuing from the door, she saw Miss Tilney herself. She was
followed by a gentleman, whom Catherine believed to be her father,
and they turned up towards Edgar's Buildings. Catherine, in deep
mortification, proceeded on her way. She could almost be angry herself
at such angry incivility; but she checked the resentful sensation; she
remembered her own ignorance. She knew not how such an offence as hers
might be classed by the laws of worldly politeness, to what a degree
of unforgivingness it might with propriety lead, nor to what rigours of
rudeness in return it might justly make her amenable.
Dejected and humbled, she had even some thoughts of not going with the
others to the theatre that night; but it must be confessed that they
were not of long continuance, for she soon recollected, in the first
place, that she was without any excuse for staying at home; and, in the
second, that it was a play she wanted very much to see. To the theatre
accordingly they all went; no Tilneys appeared to plague or please her;
she feared that, amongst the many perfections of the family, a fondness
for plays was not to be ranked; but perhaps it was because they were
habituated to the finer performances of the London stage, which she
knew, on Isabella's authority, rendered everything else of the kind
"quite horrid." She was not deceived in her own expectation of pleasure;
the comedy so well suspended her care that no one, observing her during
the first four acts, would have supposed she had any wretchedness about
her. On the beginning of the fifth, however, the sudden view of Mr.
Henry Tilney and his
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