xcessive fondness for
music to the neglect of other things.
LARGE.--Loves music dearly; has a nice conception of concord, discord,
melody, etc., and enjoys all kinds of music; and with large Imitation,
Constructiveness, and Time, can make most kinds, and play well on musical
instruments; with large Ideality, imparts a richness and exquisiteness to
musical performances; has a fine taste and is tormented by discord, but
delighted by concord, and takes a great amount of pleasure in the exercise
of this faculty; with large Combativeness and Destructiveness, loves
martial music; with large Veneration, sacred music; with large
Adhesiveness and Amativeness, social and parlor music; with large Hope,
Veneration, and disordered nerves, plaintive, solemn music, etc.: p. 218.
VERY LARGE.--Possesses extraordinary musical taste and talent, and is
literally transported by good music; and with large Imitation and
Constructiveness, fair Time, and a fine temperament, is an exquisite
performer; learns tunes by hearing them sung once; sings in spirit and
with melting pathos; shows intuitive taste and skill; sings _from_ the
soul _to_ the soul: p. 219.
FULL.--Has a good musical ear and talent; can learn tunes by rote quite
well; and with large Ideality, Imitation, and Firmness, can be a good
musician, yet will require practice: p. 220.
AVERAGE.--Has fair musical talents, yet, to be a good musician, requires
considerable practice; can learn tunes by rote, yet with some difficulty;
with large Ideality and Imitation, may be a good singer or player, yet is
indebted more to art than nature, shows more taste than skill, and loves
music better than can make it: p. 217.
MODERATE.--Has no great natural taste or talent for music, yet, aided by
notes and practice, may sing and play quite well, but will be rather
mechanical; lacks that pathos and feeling which reaches the soul: p. 220.
SMALL.--Learns to sing or play tunes with great difficulty, and that
mechanically, without emotion or effect: p. 221.
VERY SMALL.--Has scarcely any musical idea or feeling, so little as hardly
to tell Yankee Doodle from Old Hundred: p. 221.
35. LANGUAGE.
[Illustration: No. 95. LARGE.]
[Illustration: No. 96. SMALL.]
Expression of ideas and feelings by words, written or spoken, gesture,
looks, and action; the COMMUNICATIVE faculty and instinct in general.
Adapted to man's requisition for holding communication with man.
Perverted, it creates garrul
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