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blished that their affection could not become languishing or cool; for, although they loved each other as much as one can love, they at times complained of not being loved enough, and they had sufficient little difficulties to always leave something new to wish for; but they never had any troubles that were serious enough to essentially disturb their repose." Mlle. de Scudery was mistress of the art of conversation, speaking without affectation and equally well on all affairs, serious, light, or gallant; she objected, however, to being called a _savante_, and she was far from resembling the false _precieuses_ to whom she was likened by her enemies. The occupations of her salon were somewhat different from those of the salon of Mme. de Rambouillet. M. du Bled describes them as follows: "What they did in the salon of Mlle. de Scudery you can guess readily: they amused themselves as at Mme. de Rambouillet's, they joked quite cheerfully, smiled and laughed, wrote farces in prose and poetry. There were readings, _loteries d'esprit_, sonnet-enigmas, _bouts-rimes_ (rhymes given to be formed into verse), _vers-echos_, fine literary joustings, discussions between the casuists. This salon had its talkers and speakers, those who tyrannized over the audience and those who charmed it, those who shot off fireworks and those who prepared them, those who had made a symphony of conversation and those who made of it a monologue and had no flashes of silence. They did not follow fashion there--they rather made it; in art and literature as in toilets, smallness follows the fashion, pretension exaggerates it, taste makes a compact with it." A specimen of the _enigme-sonnets_ may be of interest, to show in what intellectual playfulness and trivialities these wits indulged: "Souvent, quoique leger, je lasse qui me porte. Un mot de ma facon vaut un ample discours. J'ai sous Louis le Grand commence d'avoir cours, Mince, long, plat, etroit, d'une etoffe peu forte. "Les doigts les moins savants me taillent de la sorte; Sous mille noms divers je parais tous les jours; Aux valets etourdis je suis d'un grand secours. Le Louvre ne voit point ma figure a sa porte. "Une grossiere main vient la plupart du temps Me prendre de la main des plus honnetes gens. Civil, officieux, je suis ne pour la ville. "Dans le plus rude hiver j'ai le dos toujours nu: Et, quoique fort commode, a peine m'a-t-on vu, Qu'ausitot ne
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