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ck. "It was very foolish of you, Miss Belgezad," he went on calmly. "You see, I happened to know that the real Norma Knight was sentenced to seven years in Seladon Prison over a week ago. Unfortunately, the news hadn't reached Thizar yet. I knew from the first that the whole thing was to be a frame-up. It's too bad that your father had to use the real necklace--it's a shame he lost it." The girl's eyes blazed. "You--you _thief_! You--" She used words which no self-respecting lady is supposed to use. Drake waited until she had finished, and then said: "Oh, no, Miss Belgezad; I'm no thief. Your father can consider the loss of that necklace as a fine for running narcotics. And you can tell him that if I catch him again, it will be worse. "I don't like his kind of slime, and I'll do my best to get rid of them. That's all, Miss B.; it was nice knowing you." He walked out of the room, leaving her to stand there in helpless fury. His phony necklace had come in handy after all; the police had thought they had the real one, so they had never bothered to check the Galactic Mail Service for a small package mailed to Seladon II. All he'd had to do was drop it into the mail chute from his room and then cool his heels in jail while the Galactic Mails got rid of the loot for him. The Necklace of Algol would be waiting for him when he got to Seladon II. THE END Transcriber's Note: This etext was produced from _Amazing Stories_ October 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of Project Gutenberg's Heist Job on Thizar, by Gordon Randall Garrett *** END OF THIS PROJECT GUTENBERG EBOOK HEIST JOB ON THIZAR *** ***** This file should be named 25028.txt or 25028.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/0/2/25028/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Speci
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