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ask you if I might understudy the Princess. Of course, I know that I can't sing as Miss Stevens sings, and I wouldn't for the world wish anything to happen to prevent her from singing on the great night, but I am so fond of music that it would be a pleasure to understudy the role. I shouldn't like anyone to know that I was doing so, though. It is just a fancy on my part." "Certainly you may, Miss La Salle," was the professor's hearty response. "Your idea is excellent. It is a mistake, even in an amateur production, not to provide an understudy for an important role, such as Miss Stevens will sing. I must provide an understudy for Mr. Macy, and others of the cast, also. But you are too modest in your request that no one else must know. I am sure Mr. Armitage will be pleased with your suggestion." "Oh, please don't tell him!" exclaimed Mignon. A shade of alarm crossed her dark face, which was not lost on the professor's companion, Ronald Atwell. A mere acquaintance of Professor Harmon's, he had lately arrived in Sanford, at the close of a season as leading man in a popular musical comedy, to visit a cousin. Brought up in that hard school of experience, the stage, he was an adept at reading signs, and he was by no means deceived as to the true character of the girl who stood before him. Far from being displeased with his deductions, he became mildly interested in her and mentally characterized her as being worth cultivating. He had watched her during the try-out, and he had glimpsed her true self in the varying expressions that animated her dark face. He had attended the try-out on the polite invitation of Professor Harmon, and at the latter's earnest solicitation had agreed to take charge of the stage direction of the operetta. The professor had congratulated himself on obtaining such valuable assistance, while the actor looked upon the affair as a pastime which would serve to lighten his stay with his rather dull cousin. He had come to Sanford for a period of relaxation before going to New York to begin rehearsals with a summer show, and the prospect of directing the operetta promised to be amusing. "Very well, I will say nothing," promised the professor amiably. He had come to the try-out, hoping to see the daughter of his friend capture the role of the Princess, but the enthusiasm of the artist had driven that hope from his mind when he had heard Constance sing. Now he dwelt only on the success of the operetta, and
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