n of the characters,--and
finishing with a scene between Lear and his daughters which might have
been powerful if it had not been permeated with the most absurdly
foolish, unnatural speeches--which, moreover, have no relation to the
subject,--put into the mouth of Lear. Lear's vacillations between pride,
anger, and the hope of his daughters' giving in, would be exceedingly
touching if it were not spoilt by the verbose absurdities to which he
gives vent, about being ready to divorce himself from Regan's dead
mother, should Regan not be glad to receive him,--or about his calling
down "fen suck'd frogs" which he invokes, upon the head of his daughter,
or about the heavens being obliged to patronize old people because they
themselves are old.
The third act begins with thunder, lightning, a storm of some special
kind such as, according to the words of the characters in the piece, had
never before taken place. On the heath, a gentleman tells Kent that
Lear, banished by his daughters from their homes, is running about the
heath alone, tearing his hair and throwing it to the wind, and that none
but the fool is with him. In return Kent tells the gentleman that the
dukes have quarrelled, and that the French army has landed at Dover,
and, having communicated this intelligence, he dispatches the gentleman
to Dover to meet Cordelia.
The second scene of the third act also takes place on the heath, but in
another part of it. Lear walks about the heath and says words which are
meant to express his despair: he desires that the winds should blow so
hard that they should crack their cheeks and that the rain should flood
everything, that lightning should singe his white head, and the thunder
flatten the world and destroy all germens "that make ungrateful man!"
The fool keeps uttering still more senseless words. Enter Kent. Lear
says that for some reason during this storm all criminals shall be found
out and convicted. Kent, still unrecognized by Lear, endeavors to
persuade him to take refuge in a hovel. At this point the fool
pronounces a prophecy in no wise related to the situation and they all
depart.
The third scene is again transferred to Gloucester's castle. Gloucester
tells Edmund that the French King has already landed with his troops,
and intends to help Lear. Learning this, Edmund decides to accuse his
father of treason in order that he may get his heritage.
The fourth scene is again on the heath in front of the hovel. Ken
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