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on the instrument, and she seemed to pay no heed to what Margaret said. Margaret was thanking her for her visit, arranging the blinds, asking her if there was enough air, for the day was hot, inquiring about the weather in London, moving about the room with each little speech, and with the evident desire to start the conversation so as to find out why Madame Bonanni had come. But the singer turned over the pages obstinately, looked up rather coldly at Margaret now and then, and once or twice whistled a few bars of _Rigoletto_ in a way that would have been decidedly rude, had it not been perfectly clear that she did not know what she was doing, and was really trying to make up her mind how to begin. Margaret understood, and presently let her alone, and just sat down on a chair at the corner of the piano with a bit of work, and waited to see what would happen. 'I thought it might help you a little if I ran through the opera with you,' said Madame Bonanni, after a long time. 'I have sung it very often.' But as she spoke she shut the score on the piano rather sharply, as if she had changed her mind. Margaret looked up quickly in surprise and dropped her work in her lap. 'You did not come all the way from London for that?' she asked, in a voice full of gratitude and wonder. There was a moment's pause, during which the singer looked uneasy. 'No,' she said, 'I didn't. I never could lie very well--I can't at all to-day! But I would have come, only for that, if I had thought you needed it. That is the truth.' 'How good you are!' Margaret cried. 'Good!' The singer's hand covered her big eyes for a moment and her elbow rested on the edge of the piano desk. There was a very sad note in the single word she had spoken, a note of despair not far off; but Margaret did not understand. 'What is the matter?' she asked, leaning forward, and laying one hand gently on Madame Bonanni's wrist. 'Why do you speak like that?' 'Do you think you would have been any better, in my place?' The question came in a harsh tone, suddenly, as if it broke through some opposing medium, the hand dropped from the brow, and the big dark eyes gazed into Margaret's almost fiercely. Still the girl did not understand. 'Better? I? In what way? Tell me what it is, if something is distressing you. Let me help you, if I can. You know I will, with all my heart.' 'Yes, I know.' Madame Bonanni's voice sank again. 'But how can you? The troubl
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