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ariety, common sense and eloquence, with the productions of the Immortal Bard. All the preachers, bishops, popes, kings, and emperors that have ever conjured up texts and creeds for dupes, devotees and designers to swallow without question, have never yet sunk the plummet of reason so deep in the human heart as the butcher boy of Stratford! Shakspere was the most industrious literary prospector and miner of any land or time, throwing his searchlight of reason into the crude mass of Indian, Assyrian, Persian, Egyptian, Greek, Roman, Frank, German, Russian and Briton lore, and forthwith appropriated the golden beauties of each nation, leaving behind the dross of vice and vulgarity. Marlowe, Burbage, Peele, Chapman, Greene and Jonson composed many fine physical and licentious dramas, pandering to the London groundlings, bloated wealth and accidental power; but Shakspere threw a spiritual radiance over their brutal, sordid phrases and elevated stage characters into the realm of romantic thought, pinioned with hope, love and truth. His sublime imagination soared away into the flowery uplands of Divinity, and plucked from the azure wings of angels brilliant feathers of fancy that shall shine and flutter down the ages. He flung his javelin of wit through the buckler of ignorance, bigotry and tyranny, exposing their rotten bodies to the ridicule and hate of mankind. In lordly language he swept over the harp strings of the heart with infinite expression and comprehension of words, leaving in his intellectual wake a multifarious heritage of brain jewels. He flew over the world like a swarm of bees, robbing all the fields of literature of their secret sweets, storing the rich booty of Nature in the honeycomb of his philosophic hive. Through his brain the variegated paraphernalia of Nature, in field, forest, vale, mount, river, sea and sky were illuminated with a divine radiance that shall shine forever and grow greater as mankind grows wiser. Shakspere has paid the greatest tribute of respect of any writer to women. While he gives us a few scolding, licentious, cruel, criminal women, like Dame Quickly, Katharina, Tamora, Gertrude and Lady Macbeth, he gives us the beautiful, faithful, loving characters of Isabella, Juliet, Desdemona, Perdita, Helena, Miranda, Imogen, Ophelia and Cordelia, whose love-lit words and phrases shine out in the firmament of purity and devotion like morning stars in tropic skies. Shakspere s
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