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e over the waters, which were fallen to a dead calm. At Venice next morning Eliezer, on opening his door, saw a bark in the narrow canal of the Ghetto laden with full sacks and manned by a little figure of black wood, flashing in the clear morning sunbeams. The vessel stopped before the house where the seven-branched candlestick was carved; and the Jew recognized the Virgin Mary with the infant Jesus, pledge of the Christian Merchant. HISTORY OF DONA MARIA D'AVALOS AND DON FABRICIO, DUKE D'ANDRIA TO HENRY GAUTHIER-VILLARS HISTORY OF DONA MARIA D'AVALOS AND DON FABRICIO, DUKE D'ANDRIA _Done Marie d'Avalos, l'une des belles princesses du pais, mariee avec le prince de Venouse, laquelle s'estant enamourachee du comte d'Andriane, l'un des beaux princes du pais aussy, et s'estans tous deux concertez a la jouissance et le mari l'ayant descouverte ... les fit tous deux massacrer par gens appostez; si que le lendemain on trouva ces deux belles moictiez et creatures exposees et tendues sur le pave devant la porte de la maison, toutes mortes et froides, a la veue de tous les passants, qui les larmoyoient et plaignoient de leur miserable estat._[1] (Pierre de Bourdeilles, abbe et Seigneur de Brantome. _Recueil des dames, seconde partie._) [Footnote 1: "Dona Maria d'Avalos, one of the fair Princesses of the land, and married to the Prince of Venosa, was enamoured of the Count d'Andriane, likewise one of the noble Princes of the country. So being both of them come together to enjoy their passion, and the husband having discovered it ... had the twain of them slain by men appointed thereto. In such wise that next morning the fair and noble pair, unhappy beings, were seen lying stretched out and exposed to public view on the pavement in front of the house door, all dead and cold, in sight of all passers-by, who could not but weep and lament over their piteous lot."] It was a day of high rejoicing at Naples, when the Prince of Venosa, a rich and puissant Lord, was wed to Dona Maria, of the illustrious house of Avalos. Drawn by horses bedizened with scales, feathers or furs, in such wise as to figure forth dragons, griffins, lions, lynxes, panthers and unicorns, were twelve cars which did bear through all the city an host of naked men and women, gilded all over, for to represent the Gods of Olympus, come down to Earth to do honour to the Venosian nuptials. On one of these cars was
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