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rigitte," Theo told her as he met her on the stairs, "and the doctor is troubled about him. He says--the shock has been almost too great for--for his mind. I--I knew he loved her--oh, _petite mere cherie_--but I never knew how much. Ah, my dear, they had grown together in the twenty-six years they were man and wife, and now she has left him----" The young man put his arm on the balustrade and wept quite simply and unrestrainedly. Joyselle, who was sitting by his wife, looked up when Brigit entered with the roses, but he did not speak. "I have brought these--for _her_--Beau-papa," the girl faltered, and he rose. "Thank you. Yes, she loved roses--ma Felicite." Brigit noticed, with a thrill of horror, remembering what the doctor had said, that he spoke not quite distinctly; his tongue was a little thick. "Let us," she said, laying her hand on his shoulder, "thank God that she died so happily, with you by her side." He passed his hand over his forehead where the halo of hair lay so untidy. "Yes. Let us thank God. You see, _ma fille_--I have not been a good man. I have loved many women--or thought I did. I have betrayed her love for me; I have--_enfin_, I have not been good. But--it all meant nothing. She was the bride of my youth, the companion of my--of my young manhood." He stammered again, and went on with the slight difficulty she had noticed before, "and--I know now that after all, and in spite of all, I have loved only her. _Felicite, ma vieille, tu m'entends?_" He laid the roses on the pillow near her little peaceful face, and then sat down again. "My wife is--dead," he added. THE END. End of the Project Gutenberg EBook of The Halo, by Bettina von Hutten *** END OF THIS PROJECT GUTENBERG EBOOK THE HALO *** ***** This file should be named 16909.txt or 16909.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/9/0/16909/ Produced by Kathryn Lybarger, Paul Ereaut and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use
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