nd on and on he
went, until, at last, in answer to his question--and just as he was
about to withdraw his head from the door of the express-office into
which he had popped it a moment before--he was bidden to say what it
was he could do. Almost too surprised at the change in greeting to be
able to reply, he stumbled back into the place and stood a moment in
rather stupid silence before his questioner.

"Well, ain't yer got no tongue in yer head, young feller? Seemed ter
have a minute ago. Ef yer can't speak up no better 'n this, yer ain't
the boy fer us."

But by this time Larry had recovered himself sufficiently to blurt out:
"I kin lift an' haul an' run errants an' do all sorts o' work about the
place. Won't ye try me, Mister? Lemme carry out that box ter show ye
how strong I am;" and suiting the action to the words, he shouldered a
heavy packing-case and was out upon the sidewalk and depositing it upon
a wagon, already piled with trunks and luggage, before the man had time
to reply.

When he returned to the door-step he was greeted with the grateful
intelligence that he might stay a bit and see how he got along as an
errand-boy if he liked; and, of course, _liking_, he started in at once
upon his new office.

That was the beginning. It gave him occupation and, food, but scarcely
more than that at first. He had no time for dreaming now, but often
when he had a brief moment to himself would take out of his pocket the
piece of chalk with which he marked the trunks he carried, and sketch
with it upon some rough box-lid or other the picture of a face or form
which he saw in his fancy; so that after a time he was known among the
men as "the artist feller," and grew to have quite a little reputation
among them.

How the rest came about even Larry himself found it hard to tell. But
by and by he was drawing with pencil and pen, and selling his sketches
for what he could get, buying now a brush and then some paints with the
scanty proceeds, and working upon his bits of canvas with all the ardor
of a Raphael himself.

A man sat before an easel in a crowded studio one day, give the last
touch to a painting that stood before him. It pictured the figure of a
lad, ragged and forlorn, lying asleep beneath some sheltering trees.
At first that seems all there was to be seen upon the canvas; but if
one looked closer one was able to discover another figure amid the
vaporous, soft glooms of the place. It grew ever mor