s more Delight, and leaves a more pleasurable
Impression behind it, than WIT, is universally felt and established;
Though the Reasons for this have not yet been assign'd.--I shall
therefore beg Leave to submit the following.
1. HUMOUR is more _interesting_ than WIT in general, as the _Oddities_
and _Foibles_ of _Persons_ in _real Life_ are more apt to affect our
Passions, than any Oppositions or Relations between _inanimate_
Objects.
2. HUMOUR is _Nature_, or what really appears in the Subject, without
any Embellishments; WIT only a Stroke of _Art_, where the original
Subject, being insufficient of itself, is garnished and deck'd with
auxiliary Objects.
3. HUMOUR, or the Foible of a _Character_ in real Life, is usually
insisted upon for some Length of Time. From whence, and from the
common Knowledge of the Character, it is universally felt and
understood.--Whereas the Strokes of WIT are like sudden _Flashes_,
vanishing in an Instant, and usually flying too fast to be
sufficiently marked and pursued by the Audience.
4. HUMOUR, if the Representation of it be just, is compleat and
perfect in its Kind, and entirely fair and unstrain'd.--Whereas in the
Allusions of WIT, the Affinity is generally imperfect and defective in
one Part or other; and even in those Points where the Affinity may be
allow'd to subsist, some Nicety and Strain is usually requir'd to make
it appear.
5. HUMOUR generally appears in such Foibles, as each of the Company
thinks himself superior to.--Whereas WIT shews the Quickness and
Abilities of the Person who discovers it, and places him superior
to the rest of the Company.
6. Humour, in the Representation of the _Foibles_ of _Persons_ in
_real Life_, frequently exhibits very _generous benevolent_ Sentiments
of the Heart; And these, tho' exerted in a particular odd Manner,
justly command our Fondness and Love.--Whereas in the Allusions of WIT,
_Severity_, _Bitterness_, and _Satire_, are frequently exhibited.--And
where these are avoided, not worthy amiable Sentiments of the _Heart_,
but quick unexpected Efforts of the _Fancy_, are presented.
7. The odd Adventures, and Embarrassments, which _Persons_ in _real
Life_ are drawn into by their _Foibles_, are fit Subjects of _Mirth_.
--Whereas in pure WIT, the Allusions are rather _surprizing_, than
_mirthful_; and the _Agreements_ or _Contrasts_ which are started
between Objects, without any relation to the _Foibles_ of _Persons_
in real Life,
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