the cooler
stock of the Occidental mind.

I cannot but think that Sojourner with the same culture might have
spoken words as eloquent and undying as those of the African Saint
Augustine or Tertullian. How grand and queenly a woman she might have
been, with her wonderful physical vigor, her great heaving sea of
emotion, her power of spiritual conception, her quick penetration, and
her boundless energy! We might conceive an African type of woman so
largely made and moulded, so much fuller in all the elements of life,
physical and spiritual, that the dark hue of the skin should seem only
to add an appropriate charm,--as Milton says of his Penseroso, whom he
imagines

"Black, but such as in esteem
Prince Memnon's sister might beseem,
Or that starred Ethiop queen that strove
To set her beauty's praise above
The sea-nymph's."

But though Sojourner Truth has passed away from among us as a wave of
the sea, her memory still lives in one of the loftiest and most original
works of modern art, the Libyan Sibyl, by Mr. Story, which attracted
so much attention in the late World's Exhibition. Some years ago, when
visiting Rome, I related Sojourner's history to Mr. Story at a breakfast
at his house. Already had his mind begun to turn to Egypt in search of
a type of art which should represent a larger and more vigorous
development of nature than the cold elegance of Greek lines. His
glorious Cleopatra was then in process of evolution, and his mind was
working out the problem of her broadly developed nature, of all that
slumbering weight and fulness of passion with which this statue seems
charged, as a heavy thunder-cloud is charged with electricity.

The history of Sojourner Truth worked in his mind and led him into the
deeper recesses of the African nature,--those unexplored depths of being
and feeling, mighty and dark as the gigantic depths of tropical forests,
mysterious as the hidden rivers and mines of that burning continent
whose life-history is yet to be. A few days after, he told me that he
had conceived the idea of a statue which he should call the Libyan
Sibyl. Two years subsequently, I revisited Rome, and found the gorgeous
Cleopatra finished, a thing to marvel at, as the creation of a new style
of beauty, a new manner of art. Mr. Story requested me to come and
repeat to him the history of Sojourner Truth, saying that the conception
had never left him. I did so; and a day or two after, he showed me the
cl