ollies as they fly;
She of the dagger and the deadly bowl,
Whose charming horrors thrill the trembling soul;
She who, a truant from celestial spheres,
In mortal semblance now and then appears,
Stealing the fairest earthly shape she can--
Sontag or Nilsson, Lind or Malibran;
With these the spangled houri of the dance,--
What shaft so dangerous as her melting glance,
As poised in air she spurns the earth below,
And points aloft her heavenly-minded toe!

What were our life, with all its rents and seams,
Stripped of its purple robes, our waking dreams?
The poet's song, the bright romancer's page,
The tinselled shows that cheat us on the stage
Lead all our fancies captive at their will;
Three years or threescore, we are children still.
The little listener on his father's knee,
With wandering Sindbad ploughs the stormy sea,
With Gotham's sages hears the billows roll
(Illustrious trio of the venturous bowl,
Too early shipwrecked, for they died too soon
To see their offspring launch the great balloon);
Tracks the dark brigand to his mountain lair,
Slays the grim giant, saves the lady fair,
Fights all his country's battles o'er again
From Bunker's blazing height to Lundy's Lane;
Floats with the mighty captains as they sailed,
Before whose flag the flaming red-cross paled,
And claims the oft-told story of the scars
Scarce yet grown white, that saved the stripes and
stars!

Children of later growth, we love the PLAY,
We love its heroes, be they grave or gay,
From squeaking, peppery, devil-defying Punch
To roaring Richard with his camel-hunch;
Adore its heroines, those immortal dames,
Time's only rivals, whom he never tames,
Whose youth, unchanging, lives while thrones decay
(Age spares the Pyramids-and Dejazet);
The saucy-aproned, razor-tongued soubrette,
The blond-haired beauty with the eyes of jet,
The gorgeous Beings whom the viewless wires
Lift to the skies in strontian-crimsoned fires,
And all the wealth of splendor that awaits
The throng that enters those Elysian gates.

See where the hurrying crowd impatient pours,
With noise of trampling feet and flapping doors,
Streams to the numbered seat each pasteboard fits
And smooths its caudal plumage as it sits;
Waits while the slow musicians saunter in,
Till the bald leader taps his violin;
Till the old overture we know so well,
Zampa or Magic Flute or William Tell,
Has done its worst-then hark! the tinkling bell!
The crash is o'er--the crinkling curtain furle