iling confusion
in titling, the same prints being listed differently in different
collections. This was to be expected since the artist almost invariably
omitted titles. Nagler's and Le Blanc's catalogs are not descriptive and
consequently there has been much guesswork in checking titles,
particularly since the Venetian set and the Ricci prints are only
partially listed by both writers, and not entirely correctly. Where
subjects have not been recorded at all, the variation in titling has
been greater.

The location of prints has been given, with the exception of those in
the Venetian set and in the _Essay_, which are, in part or whole, in too
many collections to make listing feasible. It is not to be taken as
complete. Jackson prints in a number of museums, particularly in
Germany, have disappeared but might turn up again; some are still packed
in boxes and await return to collections. For the sake of simplicity the
names of cities alone have been used with the understanding that the
chief print collection is meant. Exceptions are Boston where the Museum
of Fine Arts is abbreviated to MFA and the Fogg Art Museum is shortened
to Fogg, New York where the Metropolitan Museum of Art is listed as MMA
and the New York Public Library as NYPL, and London where the British
Museum is noted as BM and the Victoria & Albert as V & A.

The woodcuts reproduced are numbered according to this catalog, and
placed as nearly as possible in the same order. When prints have been
listed by Nagler or Le Blanc their corresponding numbers have been
included. Print sizes are given in inches, vertical sides first.

_Prints by Jackson_

[Transcriber's Note:

The "Inscriptions" are shown as nearly as possible as printed.
Typographic features such as the use of long "s" (shown here as [s])
and variation between italic and non-italic small capitals are
reproductions of the original. The ligatures [ae] and [oe] are shown
in brackets. Raised dots are shown as [.].

Superscript letters are shown in {braces}. Small capitals (non-italic)
are shown +like this+; italic small capitals =like this=.]

1.

_Christ Giving the Keys to St. Peter_, after Raphael [Le Bl. 7, N. 9]

Dimensions:

7-1/4 x 9-3/4 inches with letters, 6-1/2 x 9-3/4 inches without
letters.

Blocks, 4:

Light brown, light gray-brown, gray-brown, black.

Inscription, lower left:

"_Raph. Urb. inv._"

Below, under border:

"+Tho. Hollis+ _