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nd on making their submission delivered it up to King Ferdinand. It was conveyed with great state to Cordova, amidst the tears and lamentations of all Andalusia. When the funeral train entered Cordova, and the inhabitants saw the coffin containing the remains of their favorite hero, and the war-horse led in mournful trappings on which they had so lately seen him sally forth from their gates, there was a general burst of grief throughout the city. The body was interred with great pomp and solemnity in the church of St. Hypolito. Many years afterward his granddaughter, Dona Catalina of Aguilar and Cordova, marchioness of Priego, caused his tomb to be altered. On examining the body the head of a lance was found among the bones, received without doubt among the wounds of his last mortal combat. The name of this accomplished and Christian cavalier has ever remained a popular theme of the chronicler and poet, and is endeared to the public memory by many of the historical ballads and songs of his country. For a long time the people of Cordova were indignant at the brave count de Urena, who they thought had abandoned Don Alonso in his extremity; but the Castilian monarch acquitted him of all charge of the kind and continued him in honor and office. It was proved that neither he nor his people could succor Don Alonso, or even know his peril, from the darkness of the night. There is a mournful little Spanish ballad or romance which breathes the public grief on this occasion, and the populace on the return of the count de Urena to Cordova assailed him with one of its plaintive and reproachful verses: Count Urena! Count Urena! Tell us, where is Don Alonso! (Dezid conde Urena! Don Alonso, donde queda?) * Bleda, 1. 5, c. 26. End of the Project Gutenberg EBook of Chronicle of the Conquest of Granada, by Washington Irving *** END OF THIS PROJECT GUTENBERG EBOOK CONQUEST OF GRANADA *** ***** This file should be named 3293.txt or 3293.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/9/3293/ Produced by Douglas E. Levy Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and w
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