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ition against the Christians. Many of the most illustrious and valiant of the Moorish nobility assembled round his standard, magnificently arrayed in sumptuous armor and rich embroidery, as though for a festival or a tilt of canes rather than an enterprise of iron war. Boabdil's mother, the sultana Ayxa la Horra, armed him for the field, and gave him her benediction as she girded his scimetar to his side. His favorite wife Morayma wept as she thought of the evils that might befall him. "Why dost thou weep, daughter of Ali Atar?" said the high-minded Ayxa: "these tears become not the daughter of a warrior nor the wife of a king. Believe me there lurks more danger for a monarch within the strong walls of a palace than within the frail curtains of a tent. It is by perils in the field that thy husband must purchase security on his throne." But Morayma still hung upon his neck with tears and sad forebodings, and when he departed from the Alhambra she betook herself to her mirador, overlooking the Vega, whence she watched the army as it went in shining order along the road leading to Loxa, and every burst of warlike melody that came swelling on the breeze was answered by a gush of sorrow. As the royal cavalcade issued from the palace and descended through the streets of Granada the populace greeted their youthful sovereign with shouts, anticipating deeds of prowess that would wither the laurels of his father. The appearance of Boabdil was well calculated to captivate the public eye, if we may judge from the description given by the abbot of Rute in his manuscript history of the House of Cordova. He was mounted on a superb white charger magnificently caparisoned. His corselets were of polished steel richly ornamented, studded with gold nails, and lined with crimson velvet. He wore a steel casque exquisitely chiselled and embossed; his scimetar and dagger of Damascus were of highest temper; he had a round buckler at his shoulder and bore a ponderous lance. In passing through the gate of Elvira, however, he accidentally broke his lance against the arch. At this certain of his nobles turned pale and entreated him to turn back, for they regarded it as an evil omen. Boabdil scoffed at their fears as idle fancies. He refused to take another spear, but drew forth his scimetar and led the way (adds Agapida) in an arrogant and haughty style, as though he would set both Heaven and earth at defiance. Another evil omen was sent to dete
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