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s. The founding in 1840 of the literary magazine _Dacia Literata_ by Kogalniceanu marked the beginning of the traditionalist school, which was characterized by the use of specifically Romanian themes. An outstanding exponent of this school was the short story writer, Constantine Negruzzi. The second half of the nineteenth century saw the development of modern literature through the impetus of serious criticism based on German and French philosophical thought and cultural trends. The period was dominated by Vasile Alecsandri and Mihail Eminescu. During Alecsandri's long career, he produced outstanding works in every form of literary expression--prose, poetry, drama, and nonfiction. Together with Negruzzi and Kogalniceanu, he was one of the early directors of the National Theatre in Iasi. Eminescu is Romania's outstanding poet and holds his place among the important poets of the world. His lyrical poetry is influenced by Romanian folklore, Hindu thought, and German philosophy. His ballad _Luceafarul_ (Evening Star) is a well-known classic. In addition to poetry, Eminescu wrote short stories and political and philosophical essays. He was one of the leaders of the Junimea, a literary circle for youth in Iasi, which was founded by the important critic Titu Mairescu. Other important members of the circle were Ion Luca Caragiale, a playwright who first introduced social comedy to Romania, and Ion Creanga, who wrote about the peasant life from which he stemmed. Around the beginning of the twentieth century the growing popularity of peasant themes and descriptions of peasant life in the writing of such authors as Ion Slavici and Gheorghe Cosbuc led to the publication of a new literary periodical, _Samanatorul_, and the development of a literary school that took its name. The school stressed the national heritage of Romania, its folklore, and its rustic life as subjects for literary creation, in contrast to the cosmopolitan outlook of the Junimea circle. Parallel to the Samanatorul school developed _poporanism_ (of the people), which was similar to the then-current Russian populism in its social and political motivation. Its organ was _Viata Romaneasca_, which featured populist causes. Several writers remained apart from any of the schools. Among them was Barbu Delavrancea, well-known for his trilogy about Stephen the Great and for stories of Walachian peasant life, and the poet Alexandru Macedonski, who introduced Fre
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