s. The founding in
1840 of the literary magazine _Dacia Literata_ by Kogalniceanu marked
the beginning of the traditionalist school, which was characterized by
the use of specifically Romanian themes. An outstanding exponent of this
school was the short story writer, Constantine Negruzzi.
The second half of the nineteenth century saw the development of modern
literature through the impetus of serious criticism based on German and
French philosophical thought and cultural trends. The period was
dominated by Vasile Alecsandri and Mihail Eminescu. During Alecsandri's
long career, he produced outstanding works in every form of literary
expression--prose, poetry, drama, and nonfiction. Together with Negruzzi
and Kogalniceanu, he was one of the early directors of the National
Theatre in Iasi.
Eminescu is Romania's outstanding poet and holds his place among the
important poets of the world. His lyrical poetry is influenced by
Romanian folklore, Hindu thought, and German philosophy. His ballad
_Luceafarul_ (Evening Star) is a well-known classic. In addition to
poetry, Eminescu wrote short stories and political and philosophical
essays. He was one of the leaders of the Junimea, a literary circle for
youth in Iasi, which was founded by the important critic Titu Mairescu.
Other important members of the circle were Ion Luca Caragiale, a
playwright who first introduced social comedy to Romania, and Ion
Creanga, who wrote about the peasant life from which he stemmed.
Around the beginning of the twentieth century the growing popularity of
peasant themes and descriptions of peasant life in the writing of such
authors as Ion Slavici and Gheorghe Cosbuc led to the publication of a
new literary periodical, _Samanatorul_, and the development of a
literary school that took its name. The school stressed the national
heritage of Romania, its folklore, and its rustic life as subjects for
literary creation, in contrast to the cosmopolitan outlook of the
Junimea circle.
Parallel to the Samanatorul school developed _poporanism_ (of the
people), which was similar to the then-current Russian populism in its
social and political motivation. Its organ was _Viata Romaneasca_, which
featured populist causes.
Several writers remained apart from any of the schools. Among them was
Barbu Delavrancea, well-known for his trilogy about Stephen the Great
and for stories of Walachian peasant life, and the poet Alexandru
Macedonski, who introduced Fre
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