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of Eutropius as the condition of their retiring. Eudoxia, from the palace, joined in the demand and presenting her infant children, Flacilla and Pulcheria, to their father, with a flood of forced tears, implored his justice for some real or imaginary insult which she attributed to the audacious eunuch. The tears of the empress succeeded where the demand of Tribigild had only caused hesitation, and Arcadius signed the death warrant of his favorite. The people rejoiced at the downfall of the minister, whose venality and injustice had aroused the public hatred. Eutropius fled for refuge to the Church of Saint Sophia, where he was protected by the patriarch Chrysostom. So good an opportunity, however, for impressing the lesson of the fatuity of human greatness was not to be lost, and while the cowering chamberlain lay in humiliation before the altar, Chrysostom preached to a crowded congregation from the text: "Vanity of vanities, all is vanity," illustrating every argument of his sermon by pointing to the fallen Eutropius--yesterday prime minister of the emperor--to-day a hounded criminal. Chrysostom finally gave him up on condition that he be not put to death, and Eutropius was banished to Cyprus; but the empress and his enemies would not be satisfied with anything less than his death, and he was later recalled and executed at Chalcedon in A. D. 399. Not long afterward, Gainas met with a like evil destiny, and Eudoxia was left without a rival to dispute her control over the emperor. The weak Arcadius was permitted to spend the remaining years of his life in ease and tranquillity under her mild but absolute control. Henceforth the empress was the most conspicuous figure of the court. Possessing limitless power, it was natural that she should become haughty and rapacious. Endowed with rare beauty and remarkable cleverness, she gave the tone to the court society of Arcadius's reign. Unfortunately, she was fond of all the frivolities of life, and sought at the same time to promote worldliness and religion. Hence, her influence on the ladies of the court was such as to bring upon her the censure of the austere Patriarch of Constantinople, Chrysostom, to whom we are indebted for many glimpses into the life and manners of the fifth century. The empress was surrounded in the royal palace by a splendor which rivalled that of Persia. Oriental richness and luxury characterized all its appointments. We find exhibited in the court l
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