lace by the order of your Holiness. If you require me
in future you can seek me elsewhere than in Rome." He ordered a Jew to
sell all he possessed in Rome, and started for Florence, and stopped not
until he was on the ground of Tuscany. The pope sent after him, but as
he was a citizen of Florence he threatened the messengers if they
touched him. He said he had been treated as a criminal, and he
considered himself free from his engagements, and would not return then
or ever.
When he reached home a letter came to the Signory of Florence urging his
return, and saying that he should be safe. But Michael waited until the
third letter was received, and only consented to go when it was
arranged that he should be sent as an ambassador of Florence, and be
under the protection of the Florentine Republic.
In November, 1506, when the pope had taken Bologna, he sent for Michael
Angelo to come to him there. Michael Angelo had not yet seen the pope
since he left Rome in anger. When he reached Bologna he went first to
San Petronio to hear mass. A servant of the pope recognized him and led
him to his Holiness. Julius was at table, but ordered that Michael
Angelo should come in, and said to him, "You have waited thus long, it
seems, till we should ourselves come to seek you." Michael Angelo
kneeled down and begged his pardon, but added that he had remained away
because he had been offended. The pope looked at him doubtfully, when
one of the priests, fearing what would happen, advised the pope not to
judge an ignorant artist as he would another man. Then the pope turned
upon him in great anger, and declaring that he himself was ignorant and
miserable, ordered him out of his sight. The poor ecclesiastic was so
terrified that the attendants were obliged to carry him out, and then
the pope spoke graciously to the sculptor, and commanded him not to
leave Bologna without his permission. The pope soon gave him an order
for a colossal statue in bronze to be erected in Bologna.
The first cast of this statue failed, and the work was not ready to be
put in its place until February, 1508. This being done, Michael Angelo
returned to Florence, where he had much to do; but Julius soon sent for
him to go to Rome, and insisted that he should paint the roof of the
Sistine Chapel, which occupied him a long time.
In 1513 Julius II. died, and Michael Angelo resumed his work upon his
mausoleum. The pope had mentioned it in his will, and his heirs wishe
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