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lace by the order of your Holiness. If you require me in future you can seek me elsewhere than in Rome." He ordered a Jew to sell all he possessed in Rome, and started for Florence, and stopped not until he was on the ground of Tuscany. The pope sent after him, but as he was a citizen of Florence he threatened the messengers if they touched him. He said he had been treated as a criminal, and he considered himself free from his engagements, and would not return then or ever. When he reached home a letter came to the Signory of Florence urging his return, and saying that he should be safe. But Michael waited until the third letter was received, and only consented to go when it was arranged that he should be sent as an ambassador of Florence, and be under the protection of the Florentine Republic. In November, 1506, when the pope had taken Bologna, he sent for Michael Angelo to come to him there. Michael Angelo had not yet seen the pope since he left Rome in anger. When he reached Bologna he went first to San Petronio to hear mass. A servant of the pope recognized him and led him to his Holiness. Julius was at table, but ordered that Michael Angelo should come in, and said to him, "You have waited thus long, it seems, till we should ourselves come to seek you." Michael Angelo kneeled down and begged his pardon, but added that he had remained away because he had been offended. The pope looked at him doubtfully, when one of the priests, fearing what would happen, advised the pope not to judge an ignorant artist as he would another man. Then the pope turned upon him in great anger, and declaring that he himself was ignorant and miserable, ordered him out of his sight. The poor ecclesiastic was so terrified that the attendants were obliged to carry him out, and then the pope spoke graciously to the sculptor, and commanded him not to leave Bologna without his permission. The pope soon gave him an order for a colossal statue in bronze to be erected in Bologna. The first cast of this statue failed, and the work was not ready to be put in its place until February, 1508. This being done, Michael Angelo returned to Florence, where he had much to do; but Julius soon sent for him to go to Rome, and insisted that he should paint the roof of the Sistine Chapel, which occupied him a long time. In 1513 Julius II. died, and Michael Angelo resumed his work upon his mausoleum. The pope had mentioned it in his will, and his heirs wishe
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