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outh of the port so that ships sailed between them, as has often been said, although its size was almost beyond our imagination. The statue was one hundred and five feet high, and few men could reach around one of its thumbs with their arms, while each finger was as large as most statues. Twelve years were occupied in its erection, from B.C. 292 to 280, and it cost three hundred talents, or about $300,000 of our money, according to its usual estimate, though there are those who name its cost as more than four times that amount. The men of Rhodes obtained this great sum by selling the engines of war which Demetrius Poliorcetes left behind him when he abandoned the siege of Rhodes in B.C. 303. We have no copy of this statue, but there are coins of Rhodes which bear a face that is believed with good reason to be that of the Colossus. Fifty-six years after its completion, in B.C. 224, the Colossus was overthrown by an earthquake, and an oracle forbade the restoration of it by the Rhodians. In A.D. 672, nearly a thousand years after its fall, its fragments were sold to a Jew of Emesa by the command of the Caliph Othman IV. It is said that they weighed seven hundred thousand pounds, and nine hundred camels were required to bear them away. When we consider what care must have been needful to cast this huge figure in bronze, and so adjust the separate parts that the whole would satisfy the standard of art at Rhodes, we are not surprised that it should have been reckoned among the seven wonders, and that Chares should have become a famous master. Chares also founded a school of art which became very important, and, indeed, it seems to have been the continuance of the school of the Peloponnesus; for after the time of Lysippus the sculpture of Argos and Sicyon came to an end, and we may add that with Lysippus and his school the growth of art in Greece ceased; it had reached the highest point to which it ever attained, and all its later works were of its decline, and foreshadowed its death. The reign of Alexander the Great was so brilliant that it is difficult to realize that it was a time of decline to the Greeks; and during the life of Alexander perhaps this does not appear with clearness; but at the close of his reign there arose such contentions and troubles among his generals that everything in Greece suffered, and with the rest Greek art was degraded. In the time of Pericles it was thought to be a crime in him that he p
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