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self struggles to free itself from its complexities and come out into the open. These _Songs_ are the history of that struggle. As in all creation, so in poetry, there is the opposition of forces. If the divergence is too wide, or the unison too close, there is, it seems to me, no room for poetry. Where the pain of discord strives to attain and express its resolution into harmony, there does poetry break forth into music, as breath through a flute. When the _Evening Songs_ first saw the light they were not hailed with any flourish of trumpets, but none the less they did not lack admirers. I have elsewhere told the story of how at the wedding of Mr. Ramesh Chandra Dutt's eldest daughter, Bankim Babu was at the door, and the host was welcoming him with the customary garland of flowers. As I came up Bankim Babu eagerly took the garland and placing it round my neck said: "The wreath to him, Ramesh, have you not read his _Evening Songs_?" And when Mr. Dutt avowed he had not yet done so, the manner in which Bankim Babu expressed his opinion of some of them amply rewarded me. The _Evening Songs_ gained for me a friend whose approval, like the rays of the sun, stimulated and guided the shoots of my newly sprung efforts. This was Babu Priyanath Sen. Just before this the _Broken Heart_ had led him to give up all hopes of me. I won him back with these _Evening Songs_. Those who are acquainted with him know him as an expert navigator of all the seven seas[51] of literature, whose highways and byways, in almost all languages, Indian and foreign, he is constantly traversing. To converse with him is to gain glimpses of even the most out of the way scenery in the world of ideas. This proved of the greatest value to me. He was able to give his literary opinions with the fullest confidence, for he had not to rely on his unaided taste to guide his likes and dislikes. This authoritative criticism of his also assisted me more than I can tell. I used to read to him everything I wrote, and but for the timely showers of his discriminate appreciation it is hard to say whether these early ploughings of mine would have yielded as they have done. (34) _Morning Songs_ At the river-side I also did a bit of prose writing, not on any definite subject or plan, but in the spirit that boys catch butterflies. When spring comes within, many-coloured short-lived fancies are born and flit about in the mind, ordinarily unnoticed. In these
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