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The Project Gutenberg EBook of The Atlantic Monthly , Volume 2, No. 14, December 1858, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Atlantic Monthly , Volume 2, No. 14, December 1858 Author: Various Release Date: May 2, 2007 [EBook #21273] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ATLANTIC MONTHLY *** Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections). THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. II.--DECEMBER, 1858.--NO. XIV. THE IDEAL TENDENCY. We are all interested in Art; yet few of us have taken pains to justify the delight we feel in it. No philosophy can win us away from Shakspeare, Plato, Angelo, Beethoven, Goethe, Phidias,--from the masters of sculpture, painting, music, and metaphor. Their truth is larger than any other,--too large to be stated directly and lodged in systems, theories, definitions, or formulas. They suggest and assure to us what cannot be spoken. They communicate life, because they do not endeavor to measure life. Philosophy will present the definite; Art refers always to the vast,--to that which cannot be comprehended, but only enjoyed and adored. Art is the largest expression. It is not, like Science, a basket in which meat and drink may be carried, but a hand which points toward the sky. Our eyes follow its direction, and our souls follow our eyes. Man needs only to be shown an open space. He will rise into it with instant expansion. We are made partakers of that illimitable energy. Only poetry can give account of poetry, only Art can justify Art; and we cannot hope to speak finally of this elastic Truth, to draw a circle around that which is vital, because it has in it something of infinity,--but we may hope to remove a doubt growing out of the very largeness which exalts and refreshes us. Art is not practical. It offers no precept, but lies abroad like Nature, not to be grasped and exhausted. Neither is it anxious about its own reception, as though any m
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