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llied to genius, when they took the form of personal temptations;--it is surely, I say, sufficient warning against so mean a folly, to discern, as you may with little pains, that, of all human existences, the lives of men of that distorted and tainted nobility of intellect are probably the most miserable. 77. I pass to the second, and for us the more practically important question, What is the effect of noble art upon other men; what has it done for national morality in time past: and what effect is the extended knowledge or possession of it likely to have upon us now? And here we are at once met by the facts, which are as gloomy as indisputable, that, while many peasant populations, among whom scarcely the rudest practice of art has ever been attempted, have lived in comparative innocence, honour and happiness, the worst foulness and cruelty of savage tribes have been frequently associated with fine ingenuities of decorative design; also, that no people has ever attained the higher stages of art skill, except at a period of its civilisation which was sullied by frequent, violent and even monstrous crime; and, lastly, that the attaining of perfection in art power has been hitherto, in every nation, the accurate signal of the beginning of its ruin. 78. Respecting which phenomena, observe first, that although good never springs out of evil, it is developed to its highest by contention with evil. There are some groups of peasantry, in far-away nooks of Christian countries, who are nearly as innocent as lambs; but the morality which gives power to art is the morality of men, not of cattle. Secondly, the virtues of the inhabitants of many country districts are apparent, not real; their lives are indeed artless, but not innocent; and it is only the monotony of circumstances, and the absence of temptation, which prevent the exhibition of evil passions not less real because often dormant, nor less foul because shown only in petty faults, or inactive malignities. 79. But you will observe also that _absolute_ artlessness, to men in any kind of moral health, is impossible; they have always, at least, the art by which they live--agriculture or seamanship; and in these industries, skilfully practised, you will find the law of their moral training; while, whatever the adversity of circumstances, every rightly-minded peasantry, such as that of Sweden, Denmark, Bavaria, or Switzerland, has associated with its needful indu
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