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ther was one of the founders of the first library in his native town, and that I have been fortunate enough to be the founder of the last one, is certainly to me one of the most interesting incidents of my life. I have said often, in public speeches, that I had never heard of a lineage for which I would exchange that of a library-founding weaver.[16] I followed my father in library founding unknowingly--I am tempted almost to say providentially--and it has been a source of intense satisfaction to me. Such a father as mine was a guide to be followed--one of the sweetest, purest, and kindest natures I have ever known. [Footnote 16: "It's a God's mercy we are all from honest weavers; let us pity those who haven't ancestors of whom they can be proud, dukes or duchesses though they be." (_Our Coaching Trip_, by Andrew Carnegie. New York, 1882.)] I have stated that it was the theater which first stimulated my love for Shakespeare. In my messenger days the old Pittsburgh Theater was in its glory under the charge of Mr. Foster. His telegraphic business was done free, and the telegraph operators were given free admission to the theater in return. This privilege extended in some degree also to the messengers, who, I fear, sometimes withheld telegrams that arrived for him in the late afternoon until they could be presented at the door of the theater in the evening, with the timid request that the messenger might be allowed to slip upstairs to the second tier--a request which was always granted. The boys exchanged duties to give each the coveted entrance in turn. In this way I became acquainted with the world that lay behind the green curtain. The plays, generally, were of the spectacular order; without much literary merit, but well calculated to dazzle the eye of a youth of fifteen. Not only had I never seen anything so grand, but I had never seen anything of the kind. I had never been in a theater, or even a concert room, or seen any form of public amusement. It was much the same with "Davy" McCargo, "Harry" Oliver, and "Bob" Pitcairn. We all fell under the fascination of the footlights, and every opportunity to attend the theater was eagerly embraced. A change in my tastes came when "Gust" Adams,[17] one of the most celebrated tragedians of the day, began to play in Pittsburgh a round of Shakespearean characters. Thenceforth there was nothing for me but Shakespeare. I seemed to be able to memorize him almost without eff
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