NS GROW

The errors of the early Acts begin simply and proceed by begetting
other errors and beginning, also, with but one of the twin masters and
one of the twin men-servants proceed by involving every one in each of
the two Antipholus groups. In this Act others outside the main groups
are continually being interwoven in the net of complications. In which
Act did these larger social complications arise, and how are they
carried on in the present Act. Show how by means of these larger
circles of complication, e.g., the arrests, the visits of the
Courtisan to Adriana in the attempt to get back her ring, the
conjurring scenes, etc., the confusion becomes extreme. And then show,
also, how by the very means of these larger circles of complication
the clearing up process is brought forward. To whom is the suggestion
due that Antipholus the Native has gone mad? What fitness is there in
that, especially in its being broached by a minor character? Trace the
relation of the Goldsmith, his delays and his debts to the Plot. How
does it come about effectively that in this Act the wrong master and
man are together, the opposite of what has prevailed, earlier? Show
how in the eagerness of Adriana to send the gold and the grief over
what she jealously suspects to be the cause of it, a tragic situation
is reached. In which scene is the most complex confusion reached.

QUERIES FOR DISCUSSION

Is the confusion of identity, the domestic discord or the bewitchment
and supposed lunacy the most powerful factor in the plot of error.
Which is the most comical and which the most tragic moment in this
Act?

ACT V

SOLUTIONS MAKE ALL THE STRANGERS FEEL AT HOME

The climax of bewilderment being reached in the evidence that the same
man is both out of the Priory and in it, solutions follow. Trace the
steps by which this is accomplished.

Why is the attack upon Antipholus the Stranger assigned to the
Merchant who is the Goldsmith's creditor instead of to the Goldsmith?
Is it by chance or is there some reason for it? Why did not Antipholus
explain that he had the chain through no option of his own? By means
of the Merchant drawing his sword and detaining him, the scene with
Adriana at the close of the preceding Act when his flight prevented
her from having him bound as a mad man is carried on again, and refuge
in the Priory forced upon him.

Why does the Abbess blame Adriana first because she did not find fault
with her husband and then