FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   >>  
ow is it with the rest of the interview? Is her sarcastic tone judicious? Does it pique the nonchalant Olivia? Does her eloquence later, when she is assured of Olivia's obstinacy, reflect her own feelings for the Duke? What effect does it have on Olivia? Is it well-calculated to arouse her interest? In Act II. scene iv., which do you think had the right conception of woman's love,--the Duke or Cesario? What do you think of Olivia's saying that 'Love sought is good, but given unsought is better'? Which of the two characters show the more humor? Notice Viola's readiness in parrying questions that trench upon her sex. Olivia, on the other hand, can hold her own in a bout of wit with the fool, but she is perhaps not so quick-witted as Viola. We can imagine Viola at once seeing through Malvolio's attempt at pleasing Olivia, instead of taking him for mad, as Olivia did. QUERY FOR DISCUSSION Which is the best lover, the Duke, Sebastian, Olivia, or Viola? V SIR TOBY AND MARIA, AND THEIR BUTTS OR DUPES Show how the droll situations of the play are mainly contrived by some of the characters in order to make others their laughing-stocks. Who are Sir Toby's butts? Is Sir Toby attached to Sir Andrew, or does he only make use of him for profit as well as fun? (See Sir Toby's reply to Fabian (III. iii.)). Other instances to the same effect? Why does Maria join forces with Sir Toby? Is she in fact the leader of the scheme, or is Fabian's story of its origin true? What part does the fool play in the game, and why? Note his private grudge against Malvolio. Is it a dramatic mistake that even the heroine is made the butt of these merry-makers? Trace Fabian's part in the duelling plot against Sir Andrew and Viola. Do these plots recoil in any way against the plotters? Sir Toby and Sir Andrew both get some home-truths from Malvolio while they are eavesdropping, while for Fabian and Maria these thrusts of Malvolio's are just as good fun as that which the knights enjoy better. How does some of the later fun recoil against Toby and Sir Andrew? Are the Puritans made fun of in Malvolio's person? QUERY FOR DISCUSSION Are the characters least scathed by the fun for that reason superior to the others? VI MINOR CHARACTERS The fun of the play is capped by the presence of a particularly clever fool whose function of making every one the butt of his wit makes one of the least important of the characters represent the speci
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   >>  



Top keywords:

Olivia

 
Malvolio
 

Fabian

 

Andrew

 

characters

 

DISCUSSION

 
recoil
 
effect
 

grudge

 
private

profit

 

scheme

 

leader

 

origin

 

forces

 

instances

 

plotters

 

CHARACTERS

 
superior
 

reason


Puritans

 

person

 

scathed

 

capped

 
presence
 

important

 
represent
 

making

 

clever

 
function

knights

 

duelling

 

makers

 

mistake

 

heroine

 

eavesdropping

 
thrusts
 

truths

 

dramatic

 

Cesario


sought

 

conception

 

unsought

 

readiness

 
parrying
 
questions
 

trench

 

Notice

 
judicious
 

nonchalant