he introduction of Claribel? Is the King's grief as
great for the daughter as for the son? How does his paternal affection
compare with Prospero's? Compare Antonio's speech, suggesting the
murder to Sebastian, with similar speeches in Shakespeare (Macbeth's,
King John's, Oliver's in 'As You Like It,' Claudius' in 'Hamlet'). In
the second scene of this act, how far is a second counter-plot
foreshadowed?

POINTS. 1. The jokes of Act II: their explanation (_i.e._, 'dollar'
and 'dolour,' the 'eye of green,' etc.). 2. When were watches first
used in Europe? 3. Tell the story of AEneas and Dido. 4. What myth is
alluded to in 'his word is more than the miraculous harp'? 5.
Gonzalo's Commonwealth--its origin from Montaigne. It is commonly
supposed that Shakespeare must have borrowed this reference from the
translation. He may have taken it directly from the French. 6. Show
the bearing of Sebastian's phrase, 'I am standing water,' with its
context. (That is, at the turn of the tide between ebb and full.) 7.
'The man i' the moon,' and the folk-lore about it. 8. Natural history
on the island. (_Poet-Lore_, April, 1894. Notes and News).

QUERY FOR DISCUSSION

Is it a defect in the action of the play that the danger arising from
the most important counter-plot is allayed so soon?

ACT III

NEW PLOTS AGAINST PROSPERO

What new turns are given events in Act III? Scene i continues
Ferdinand's love-making, and shows no hinddrances there to Prospero's
plans; but scene ii develops Caliban's plot, and scene iii shows
Sebastian and Antonio making ready to carry out the purpose which had
at first been defeated. Give an account of the scene in Act II which
leads up to this plot in connection with its sequel in this act. Ariel
is baffled in his attempts to breed contention between the
conspirators by Trinculo's good nature, but finally he leads them off
with his music. Scene iii represents Alonzo and his courtiers
bewildered and tired by their fruitless tramps through the island, and
in just the temper to be confused by the dumb-show and the harpies.
Note the dependence placed, throughout 'The Tempest,' on the effect of
'solemn and strange music.' Antonio's plot, being resumed, is blocked
by Ariel's magic show and his accusation. Note how the supernatural
quality of the scene makes his speech affect their consciences as if
they were themselves accusing themselves, and how it drives them into
mental disorder. Dr. Bucknill, a specialis